Did you ever think that maybe we're missing the boat spending so much time on a better computer? That, had the computer industry not boomed and come to dominate the technological marketplace, we might be living in a far different society?
I personally believe there's a direct correlation between our ability to have a laptop thinner than an envelope and our increasing inability to have a flying car.
Back in the 50's, didn't everyone believe that by the year 2000, we'd all have flying cars? Not to mention time travel, interstellar colonies, and several intergalactic wars with alien species? Then boom, computers hit, and no one talks about flying cars anymore. It's all e- this and inter- that and micro- something or other.
I want my flying car, damn it.
Furthermore, don't say I didn't warn you when we invent computers smart enough to annihilate us as a species. Flying cars, see, they just fly around and take you places. They don't enslave mankind.
Tuesday, February 26, 2008
Tuesday, February 12, 2008
Hollywood's Whipping Boy
If you're a habitual reader of Gray Matters, you probably noticed my extensive comments on a recent post which asked the question "Who would win in a fight, the superintelligent sharks from Deep Blue Sea or the aliens from Aliens?". As my comments revealed, I spent extensive time (at least an hour at the bar and at least three hours in my office) trying to come up with chains of causation, to determine which beast would best its opponent. These moves were similar to the Kevin Bacon movie game (at which I am also an expert), where I scientifically determined that an alien could beat a shark, or vice versa, based upon who had defeated them in their movies. For instance, the alien lost to Sigourney Weaver, who lost to x, who lost to y,..... who lost to Samuel L. Jackson, who lost to the sharks. Q.E.D., alien would lose to a shark.
Now, I was able to do this for both sides (although with a few contentious moves that I still feel kind of dirty about using), but it was much harder to see how the aliens could beat the sharks (scientifically it seems easy; using these causal chains, it's really frakkin' hard). This took me several hours in and of itself, for two reasons: first, the sharks were only defeated by two people, LL Cool J (who never loses; even when he was in Halloween H2O he survived) and Thomas Jane, who just isn't famous enough to have lost to a lot of people [I ended up using his obscure almost throwaway presence in Face/Off]). Second, through a sense of perverse pride I tried to get back to the aliens through Bill Paxton. And while Paxton's Hudson did die most spectacularly at the hands of the Alien infestation on colony LV-426, and his character is by and large the first thing people will remember about Aliens ("Game over, man! Game over!", "Maybe you haven't been keeping up on current events, but we just got our asses kicked!"), using him remains a critical problem for someone attempting to win this game.
Because Paxton never defeats anyone.
This was something we used to joke about a lot in college, so it may seem familiar to some of my NU readers, but Bill Paxton is seriously Hollywood's whipping boy. You need someone who's gonna be kind of a douche and then get defeated or killed? Call Bill Paxton. He'll be obnoxious about it, and then die gloriously. He's almost made a career out of being the guy who either dies or who we wish would die before the movie's out. Hell, he played the treasure seeker in Titanic, and while he didn't die per se in that film, I wasn't betting against it right up until the end of that movie. Somehow that old lady would toss him into the sea or something.
And because I had this very real attachment to Bill Paxton, I tried desperately to find someone for him to beat. I looked at movies I hadn't seen in a while; I checked out his imdb resume, desperately seeking some kind of resolution; I even tried to go with the larger theological conceit that he had defeated Satan somehow in Frailty, but even then he ends up getting the short end of the stick. Or maybe you could go through the tornado in Twister, but then where does that take you? Or you could argue he beat the moon in Apollo 13, but then who does the moon ever beat? Maybe Tommy Lee Jones in Space Cowboys, but that's a very debatable point. And Paxton's still kind of a douche in Apollo 13; I mean, come on, he's up against Tom Hanks, Kevin Bacon, and Gary Sinese. Which one of these is the loser outcast astronaut that sits at home on Saturday nights and cries?
Just look at the man's resume, highlights presented below:
-Terminator: He's the punk leader whose clothes Arnond steals. Thus establishing early in his career a willingness to get his ass kicked by his betters.
-Weird Science: He's Chet, the older brother, who gets turned into a slug-like mass by his dorky brother's sex genie.
-Aliens: Yeah, he's kinda cool, but he's also the tool of the outfit. Just look at the knife scene where he screams like a little girl.
-Predator 2: Death by Predator. Fuckin' Danny Glover lives, but he dies.
-Tombstone: The Earp posse consists of Kurt Russell, Val Kilmer (as badass Doc Holliday), Sam Elliott, and Paxton. Which Earp brother do you think is going to die, and which is going to still be killing people with only one arm?
-True Lies: He plays Simon, the car salesman/faux spy. He doesn't get cashed, but he pees himself twice, so close enough.
-Apollo 13: See reasons above. Also, defeated by the moon, which you know Neil Armstrong never let him forget.
-Frailty: This was a movie we had high hopes for in college. The premise is simple: Bill Paxton believes he is chosen by God to kill demons (i.e. possessed humans). To do this, he has a magic axe named "Otis," that apparently gains is magic from the very sharp edge which can cut through human flesh. Given our love for Paxton, it seemed like a "can't miss" film. And it was awesome. We saw it in the theaters. But still, things don't turn out well for our boy Billy.
That's pretty much all I've got. I know he's been in other films, and is apparently in this "Big Love" tv show that's supposedly pretty good. But really, poor Bill Paxton just cannot and will not ever be known as a guy who gets shit done. Though maybe that's a viable career choice; maybe, when you're a big Hollywood director or producer and you need a guy who's going to be kind of cool, kind of a tool, and end up getting cashed to show just how serious the situation is, then it pays to be Bill Paxton, King of the Whipping Boys.
(As a side note, Paxton was definitely in the all-star cast of our projected film Free Ben Stein, in which Stein is kidnapped by terrorists, and a crack team of special ops soldiers is put together to rescue him. He played, obviously, the guy who got killed halfway through to show how serious things were. But I'm sure he'd get off a good line or two before he died.)
Now, I was able to do this for both sides (although with a few contentious moves that I still feel kind of dirty about using), but it was much harder to see how the aliens could beat the sharks (scientifically it seems easy; using these causal chains, it's really frakkin' hard). This took me several hours in and of itself, for two reasons: first, the sharks were only defeated by two people, LL Cool J (who never loses; even when he was in Halloween H2O he survived) and Thomas Jane, who just isn't famous enough to have lost to a lot of people [I ended up using his obscure almost throwaway presence in Face/Off]). Second, through a sense of perverse pride I tried to get back to the aliens through Bill Paxton. And while Paxton's Hudson did die most spectacularly at the hands of the Alien infestation on colony LV-426, and his character is by and large the first thing people will remember about Aliens ("Game over, man! Game over!", "Maybe you haven't been keeping up on current events, but we just got our asses kicked!"), using him remains a critical problem for someone attempting to win this game.
Because Paxton never defeats anyone.
This was something we used to joke about a lot in college, so it may seem familiar to some of my NU readers, but Bill Paxton is seriously Hollywood's whipping boy. You need someone who's gonna be kind of a douche and then get defeated or killed? Call Bill Paxton. He'll be obnoxious about it, and then die gloriously. He's almost made a career out of being the guy who either dies or who we wish would die before the movie's out. Hell, he played the treasure seeker in Titanic, and while he didn't die per se in that film, I wasn't betting against it right up until the end of that movie. Somehow that old lady would toss him into the sea or something.
And because I had this very real attachment to Bill Paxton, I tried desperately to find someone for him to beat. I looked at movies I hadn't seen in a while; I checked out his imdb resume, desperately seeking some kind of resolution; I even tried to go with the larger theological conceit that he had defeated Satan somehow in Frailty, but even then he ends up getting the short end of the stick. Or maybe you could go through the tornado in Twister, but then where does that take you? Or you could argue he beat the moon in Apollo 13, but then who does the moon ever beat? Maybe Tommy Lee Jones in Space Cowboys, but that's a very debatable point. And Paxton's still kind of a douche in Apollo 13; I mean, come on, he's up against Tom Hanks, Kevin Bacon, and Gary Sinese. Which one of these is the loser outcast astronaut that sits at home on Saturday nights and cries?
Just look at the man's resume, highlights presented below:
-Terminator: He's the punk leader whose clothes Arnond steals. Thus establishing early in his career a willingness to get his ass kicked by his betters.
-Weird Science: He's Chet, the older brother, who gets turned into a slug-like mass by his dorky brother's sex genie.
-Aliens: Yeah, he's kinda cool, but he's also the tool of the outfit. Just look at the knife scene where he screams like a little girl.
-Predator 2: Death by Predator. Fuckin' Danny Glover lives, but he dies.
-Tombstone: The Earp posse consists of Kurt Russell, Val Kilmer (as badass Doc Holliday), Sam Elliott, and Paxton. Which Earp brother do you think is going to die, and which is going to still be killing people with only one arm?
-True Lies: He plays Simon, the car salesman/faux spy. He doesn't get cashed, but he pees himself twice, so close enough.
-Apollo 13: See reasons above. Also, defeated by the moon, which you know Neil Armstrong never let him forget.
-Frailty: This was a movie we had high hopes for in college. The premise is simple: Bill Paxton believes he is chosen by God to kill demons (i.e. possessed humans). To do this, he has a magic axe named "Otis," that apparently gains is magic from the very sharp edge which can cut through human flesh. Given our love for Paxton, it seemed like a "can't miss" film. And it was awesome. We saw it in the theaters. But still, things don't turn out well for our boy Billy.
That's pretty much all I've got. I know he's been in other films, and is apparently in this "Big Love" tv show that's supposedly pretty good. But really, poor Bill Paxton just cannot and will not ever be known as a guy who gets shit done. Though maybe that's a viable career choice; maybe, when you're a big Hollywood director or producer and you need a guy who's going to be kind of cool, kind of a tool, and end up getting cashed to show just how serious the situation is, then it pays to be Bill Paxton, King of the Whipping Boys.
(As a side note, Paxton was definitely in the all-star cast of our projected film Free Ben Stein, in which Stein is kidnapped by terrorists, and a crack team of special ops soldiers is put together to rescue him. He played, obviously, the guy who got killed halfway through to show how serious things were. But I'm sure he'd get off a good line or two before he died.)
Sunday, February 03, 2008
When We Have Found All the Mysteries and Lost all the Meaning, We Will Be Alone, on an Empty Shore
First off, suck it, Patriots and Patriot fans! Not only did they lose, but Brady got hit a delicious number of times. Though he was not horribly crippled, scarred, or set on fire, as Throat Punch and I had hoped. (See what happens when no one suggests nicknames? I come up with stuff like Throat Punch.)
Not much of a notable weekend, though I did drink a fair amount over the course of three days. So today's post is more of a comment diversion than anything, mainly for my Madison folk (sorry outsiders, will try to involve you more in the future).
Now, this year, as we know, is the first year the MAs don't have to take the egregious MA test that all the rest of us took. And while we've debated the gross injustice of this move and how we may or may not think less of our new brethren because of the relative ease with which they shall procure their degrees, I'm more concerned today with the loss of works, the truly wonderful works that most of us would likely not have read.
So for today's post, I'll ask you to submit: what work or works should we demand that people read, just because they are awesome? This isn't about being great, or important, or any of that academic bullshit that we spread around like so much manure. No, I want to know what you liked, what was totally outside your field, but you loved regardless. These are the gems of the now-defunct list, things that made the gruelling hours and days and weeks and months of reading worthwhile for a brief shining moment. What really worked for you? What made you happy that you were a scholar and a student of literature, because you got to read cool stuff like that?
Submit your responses, and then we can generate a "must read" list to unofficially force upon our peers.
To start, my choice would be Tom Stoppard's Arcadia. I never would have read this play in a million years. Not because I dislike Stoppard or contemporary drama; it's just not something I would have come across if not forced to read it. And it's brilliant. Single best thing I read that entire summer. I reread it at least once a semester (of course, it doesn't hurt that you can tear through it in like an hour or two, tops). It's hilarious and moving and really helped me formulate my motivations for being in this crazy, almost masturbatory profession that so many of us have chosen. And because it's Stoppard, it's witty and verbose and insanely intellectual, not to mention pure joy to read.
So yeah, check out Arcadia if you haven't already. And send along your submissions for the list, so that we may force it upon the next generation.
And fuck the Patriots.
Not much of a notable weekend, though I did drink a fair amount over the course of three days. So today's post is more of a comment diversion than anything, mainly for my Madison folk (sorry outsiders, will try to involve you more in the future).
Now, this year, as we know, is the first year the MAs don't have to take the egregious MA test that all the rest of us took. And while we've debated the gross injustice of this move and how we may or may not think less of our new brethren because of the relative ease with which they shall procure their degrees, I'm more concerned today with the loss of works, the truly wonderful works that most of us would likely not have read.
So for today's post, I'll ask you to submit: what work or works should we demand that people read, just because they are awesome? This isn't about being great, or important, or any of that academic bullshit that we spread around like so much manure. No, I want to know what you liked, what was totally outside your field, but you loved regardless. These are the gems of the now-defunct list, things that made the gruelling hours and days and weeks and months of reading worthwhile for a brief shining moment. What really worked for you? What made you happy that you were a scholar and a student of literature, because you got to read cool stuff like that?
Submit your responses, and then we can generate a "must read" list to unofficially force upon our peers.
To start, my choice would be Tom Stoppard's Arcadia. I never would have read this play in a million years. Not because I dislike Stoppard or contemporary drama; it's just not something I would have come across if not forced to read it. And it's brilliant. Single best thing I read that entire summer. I reread it at least once a semester (of course, it doesn't hurt that you can tear through it in like an hour or two, tops). It's hilarious and moving and really helped me formulate my motivations for being in this crazy, almost masturbatory profession that so many of us have chosen. And because it's Stoppard, it's witty and verbose and insanely intellectual, not to mention pure joy to read.
So yeah, check out Arcadia if you haven't already. And send along your submissions for the list, so that we may force it upon the next generation.
And fuck the Patriots.
Tuesday, January 29, 2008
A Shorter Post, Because My Students Aren't Inventive
And yet again we're at the start of a new semester. I had hoped to bring you a lengthy post reporting back on my students' responses to the humorous question I posed in my first-day surveys. (For past results on my Sam Jackson v. Batman contests, see here, and here.) This year, the theme of our course has to do with the supernatural, so I decided to make things a little more open, since the SJ v. Batman had grown a bit stale (not to mention that, now that I live with Batman, I tend to side with him, as he pays half the rent).
Unfortunately, my students appear to be not very inventive in their responses. Many completely ignored the section of the question that asked them to justify their choices. Many others just gave lame reasons. But there were a few intriguing ones, so here they are for your enjoyment.
Question: Of the following, who would win in a fight and why: Dracula, the Wolf Man, Frankenstein's monster, the Ghost Busters, Ash (circa Army of Darkness), Buffy, zombies, Samuel L. Jackson.
The Breakdown: Samuel L. came in with a resounding 15 votes, due largely to his general badassery. The Ghost Busters came in a distant second with 8 votes, with their victory over the Stay-Puft Marshmellow Man as a prime justification for the ability to overcome all obstacles. Buffy took the third position with 6 votes, for reasons unspecified. Ash and his boomstick garnered 4 votes, while Dracula claimed a mighty 3 and Frankenstein's monster a morose 1 (which is ironic, considering the monster's main complaint in the novel is that no one loves him). The Wolf Man and zombies earned no votes whatsoever, which tragically ignores that both can raise entire armies of creatures like them with just one bite.
Choice responses:
-Samuel L. Jackson in a Ghost Busters suit (unspecified whether or not suit includes proton pack).
-Buffy: She has that whole "I'm a little girl, don't hurt me thing" going on for her. When really she could kill you. (Apparently Buffy is far more homicidal than I remember.)
-Samuel L. Jackson because he always wins. (Unless he's fighting a shark with an enlarged brain, of course.)
-Dracula because he was actually a Prince and controlled an army in Transylvania. He impaled his enemies on stakes. He was a total badass because he drank their blood afterwards. (Mad props for historical reference, and an appreciation for impaling people on stakes, a tried and true pedagogical technique.)
-Ghost Busters: Igon would find a crazy way to either trap or perhaps blow up the rest (lasers?). (Substitute "unlicensed nuclear accelerators" for "lasers" and you're correct.)
My own thoughts: I personally would have to go with the Ghost Busters on this one. They're scientists, for one thing. Furthermore, and far more importantly, each of them carries a long-range nuclear weapon on his back, giving them the ability to strike from distance, terrify their opponents with technology, and the ability to make all life as you know it stop instantaneously and every molecule in your body explode at the speed of light. (Right, that's bad. Ok, important safety tip.) Compared to a man who may or may not have a handgun and who was once eaten alive by a superintelligent shark? Ghost Busters 1, SJ 0.
"We came, we saw, we kicked its ass!"
Other thoughts on the matter?
Unfortunately, my students appear to be not very inventive in their responses. Many completely ignored the section of the question that asked them to justify their choices. Many others just gave lame reasons. But there were a few intriguing ones, so here they are for your enjoyment.
Question: Of the following, who would win in a fight and why: Dracula, the Wolf Man, Frankenstein's monster, the Ghost Busters, Ash (circa Army of Darkness), Buffy, zombies, Samuel L. Jackson.
The Breakdown: Samuel L. came in with a resounding 15 votes, due largely to his general badassery. The Ghost Busters came in a distant second with 8 votes, with their victory over the Stay-Puft Marshmellow Man as a prime justification for the ability to overcome all obstacles. Buffy took the third position with 6 votes, for reasons unspecified. Ash and his boomstick garnered 4 votes, while Dracula claimed a mighty 3 and Frankenstein's monster a morose 1 (which is ironic, considering the monster's main complaint in the novel is that no one loves him). The Wolf Man and zombies earned no votes whatsoever, which tragically ignores that both can raise entire armies of creatures like them with just one bite.
Choice responses:
-Samuel L. Jackson in a Ghost Busters suit (unspecified whether or not suit includes proton pack).
-Buffy: She has that whole "I'm a little girl, don't hurt me thing" going on for her. When really she could kill you. (Apparently Buffy is far more homicidal than I remember.)
-Samuel L. Jackson because he always wins. (Unless he's fighting a shark with an enlarged brain, of course.)
-Dracula because he was actually a Prince and controlled an army in Transylvania. He impaled his enemies on stakes. He was a total badass because he drank their blood afterwards. (Mad props for historical reference, and an appreciation for impaling people on stakes, a tried and true pedagogical technique.)
-Ghost Busters: Igon would find a crazy way to either trap or perhaps blow up the rest (lasers?). (Substitute "unlicensed nuclear accelerators" for "lasers" and you're correct.)
My own thoughts: I personally would have to go with the Ghost Busters on this one. They're scientists, for one thing. Furthermore, and far more importantly, each of them carries a long-range nuclear weapon on his back, giving them the ability to strike from distance, terrify their opponents with technology, and the ability to make all life as you know it stop instantaneously and every molecule in your body explode at the speed of light. (Right, that's bad. Ok, important safety tip.) Compared to a man who may or may not have a handgun and who was once eaten alive by a superintelligent shark? Ghost Busters 1, SJ 0.
"We came, we saw, we kicked its ass!"
Other thoughts on the matter?
Tuesday, January 22, 2008
Winter Break - The Highlights
Ok, so I can't really come up with one thing to sustain an entire blog post at the moment, so the following is a collection of highlights of break, followed by a dilemma. Because nothing invites comments like a dilemma, and a blog is lonely when it isn't commented upon.
Highlights:
1. MLA: I went to the Modern Language Association's annual convention, because it was in Chicago. While there, I attended numerous panels on war and violence (since my dissertation is about war and violence and the aftereffects). Sadly, not one of these panels had anything to do with literature or any kind of theory that would aid my own thinking. I also attended a panel that had papers I could have written as an undergrad (including one paper I'm pretty sure I did write as an undergrad), and one really kick-ass panel on Hawthorne, of all people. Don't get me wrong, I loves me some Nate-Dog H., but if you'd told me beforehand that the highlight of the conference for me would be a panel on Hawthorne, I'd have laughed in your face.
Oh, and apparently hotels feel no qualms about charging you $11 for a vodka tonic. I didn't realize this until after I had ordered two of them. C'est la vie.
2. New Year's: Had people over, was a fun time. Mellow. After everyone left, I opened a second champagne bottle and drank most of it myself. Because I couldn't figure out the wire thing on top of the cork, I cut it with wire cutters. I was drunk.
3. Ninja Drunk, take two: Got plastered off some Wild Turkey Barrel Proof, nearly fell over while playing pool. Don't remember the end of the night, but apparently had a drunk dial conversation in which I claimed to have paused the internet. Am researching this power for future use. May require more Wild Turkey.
4. Bar Golf: Got plastered again a week later at Bar Golf. For those unfamiliar, each bar counts as a hole. Each hole has an assigned drink, and a par. Drink one, get par. Drink two, birdie. Etc. Our course had 6 holes. I made it through four consciously, but still managed to stealth order a drink at the last bar in spite of a concentrated effort to stop me from drinking. Depending on who you ask, I shot either a -2 or a -3, or I was disqualified because I can't remember anything past the fourth hole and passed out at the last bar. But I say that last drink keeps me in the game. To wit: two rum & cokes, two Miller Lights, two martinis (Hendricks and Ketel), scotch and cigar, vodka tonic (and a chicken ceasar wrap I swear to the gods of Kobol that I didn't order). We started at 3:15, I was home by 8 or so, and at roughly 12:15 am, I regained consciousness and was back out in the street calling to find where the group had gone, only to realize everyone had gone home hours before. Went back upstairs and passed out again.
Also, Boone's (so nicknamed for his taste for the wretched drink) won with a -6. Because he is an inhuman drinking robot. Or a Cylon.
5. Poker: In Wudan tradition, we played some high stakes poker, with some nice upper shelf alcohol. I won $15, and rediscovered my love of Hendrick's gin and Bushmills 10 year. Batman won big, though a snafu with the pot kept him from claiming all his winnings. Still, won enough to put a new layer of armor on the Batmobile. Oh, and TGD got hilariously upset at my lucky streak (which was, admittedly, entirely luck and not skill).
6. Semester Kickoff Party: In which I discovered that beer does not make you as drunk as liquor. Thus, I was able to drink steadily for roughly 8 hours (8pm-4am) and still remember the entirety of the evening. I found I am pretty good at baseball (the drinking game), and that Boone's does in fact taste awful. Which is why we passed around two or three bottles of it at the end of the night and just took turns taking swigs. (I also discovered that sleeping in till 2:00 the next afternoon is a great way to avoid a hangover.)
7. The Hill: Today, on the way to campus, traffic was backed up way past my apartment. I was able to walk to campus (roughly 30 minute trek, all down one road) in a shorter time than it took the bus that was at the stop outside my apartment. I passed three other buses en route, and beat them all. Why? Because we had snow yesterday, and cars couldn't get up the hill about a mile down the road. Because, you know, in Madison, they don't know how to keep the roads clear or salted. Still. After one of the snowiest winters on record. All in all, it was a hilarious testimony to the ineptitude of both drivers and municipal officials. Though it did mean I had to walk a long time in the cold and the snow. Which kinda sucked.
That about brings us up to speed. I'm sure there are some other things I'm forgetting or neglecting. I didn't do nearly as much work as I planned. I managed to stave off guilt through alcoholism, BSG dvds, and movies (go see Cloverfield).
Oh, and the dilemma. I'm rapidly adding people to the cast of characters that comprises this blog, and I need nicknames for them. So I invite you, the readers, to submit nicknames for other people I know. Granted, this is mainly my Madison readers, but others can feel free to offer outlandish suggestions that I might randomly apply to others as suits my whim.
Finally, check this out, courtesy of Bourbon Samurai. Hilarious.
Highlights:
1. MLA: I went to the Modern Language Association's annual convention, because it was in Chicago. While there, I attended numerous panels on war and violence (since my dissertation is about war and violence and the aftereffects). Sadly, not one of these panels had anything to do with literature or any kind of theory that would aid my own thinking. I also attended a panel that had papers I could have written as an undergrad (including one paper I'm pretty sure I did write as an undergrad), and one really kick-ass panel on Hawthorne, of all people. Don't get me wrong, I loves me some Nate-Dog H., but if you'd told me beforehand that the highlight of the conference for me would be a panel on Hawthorne, I'd have laughed in your face.
Oh, and apparently hotels feel no qualms about charging you $11 for a vodka tonic. I didn't realize this until after I had ordered two of them. C'est la vie.
2. New Year's: Had people over, was a fun time. Mellow. After everyone left, I opened a second champagne bottle and drank most of it myself. Because I couldn't figure out the wire thing on top of the cork, I cut it with wire cutters. I was drunk.
3. Ninja Drunk, take two: Got plastered off some Wild Turkey Barrel Proof, nearly fell over while playing pool. Don't remember the end of the night, but apparently had a drunk dial conversation in which I claimed to have paused the internet. Am researching this power for future use. May require more Wild Turkey.
4. Bar Golf: Got plastered again a week later at Bar Golf. For those unfamiliar, each bar counts as a hole. Each hole has an assigned drink, and a par. Drink one, get par. Drink two, birdie. Etc. Our course had 6 holes. I made it through four consciously, but still managed to stealth order a drink at the last bar in spite of a concentrated effort to stop me from drinking. Depending on who you ask, I shot either a -2 or a -3, or I was disqualified because I can't remember anything past the fourth hole and passed out at the last bar. But I say that last drink keeps me in the game. To wit: two rum & cokes, two Miller Lights, two martinis (Hendricks and Ketel), scotch and cigar, vodka tonic (and a chicken ceasar wrap I swear to the gods of Kobol that I didn't order). We started at 3:15, I was home by 8 or so, and at roughly 12:15 am, I regained consciousness and was back out in the street calling to find where the group had gone, only to realize everyone had gone home hours before. Went back upstairs and passed out again.
Also, Boone's (so nicknamed for his taste for the wretched drink) won with a -6. Because he is an inhuman drinking robot. Or a Cylon.
5. Poker: In Wudan tradition, we played some high stakes poker, with some nice upper shelf alcohol. I won $15, and rediscovered my love of Hendrick's gin and Bushmills 10 year. Batman won big, though a snafu with the pot kept him from claiming all his winnings. Still, won enough to put a new layer of armor on the Batmobile. Oh, and TGD got hilariously upset at my lucky streak (which was, admittedly, entirely luck and not skill).
6. Semester Kickoff Party: In which I discovered that beer does not make you as drunk as liquor. Thus, I was able to drink steadily for roughly 8 hours (8pm-4am) and still remember the entirety of the evening. I found I am pretty good at baseball (the drinking game), and that Boone's does in fact taste awful. Which is why we passed around two or three bottles of it at the end of the night and just took turns taking swigs. (I also discovered that sleeping in till 2:00 the next afternoon is a great way to avoid a hangover.)
7. The Hill: Today, on the way to campus, traffic was backed up way past my apartment. I was able to walk to campus (roughly 30 minute trek, all down one road) in a shorter time than it took the bus that was at the stop outside my apartment. I passed three other buses en route, and beat them all. Why? Because we had snow yesterday, and cars couldn't get up the hill about a mile down the road. Because, you know, in Madison, they don't know how to keep the roads clear or salted. Still. After one of the snowiest winters on record. All in all, it was a hilarious testimony to the ineptitude of both drivers and municipal officials. Though it did mean I had to walk a long time in the cold and the snow. Which kinda sucked.
That about brings us up to speed. I'm sure there are some other things I'm forgetting or neglecting. I didn't do nearly as much work as I planned. I managed to stave off guilt through alcoholism, BSG dvds, and movies (go see Cloverfield).
Oh, and the dilemma. I'm rapidly adding people to the cast of characters that comprises this blog, and I need nicknames for them. So I invite you, the readers, to submit nicknames for other people I know. Granted, this is mainly my Madison readers, but others can feel free to offer outlandish suggestions that I might randomly apply to others as suits my whim.
Finally, check this out, courtesy of Bourbon Samurai. Hilarious.
Tuesday, January 01, 2008
Side By Side By Side
First post on the new laptop! First post of the new year! Lots of tales to tell since Christmas. Ok, really just one or two. Probably a post on MLA. But that's all forthcoming, because today I'm going to talk about my New Year's Resolution.
While attending the Annual Modern Language Association Convention in glorious old Chicago, it occurred to me that I know a lot of people who are coupled together. When dining, it was quite often the three of us, or the five of us, and I realized that a large majority of the people I now associate with and consider my friends tend to come in pairs. Similarly, back in St. Louis, my associates generally consist of my friends and their wives. At my New Year's party, it was the same: people and their partners. Wherever I go, I tend to travel in packs of odd-numbered people, largely because I make up that added extra.
This isn't necessarily a problem, of course. I like all my friends, as well as their partners, and would conceivably be friends with either or both regardless of their coupled status. I've gotten very good at not feeling like a third or fifth or seventh wheel. I like to think that my inherent charm and panache overcome the oddity of the numbering. So please don't feel I'm self-pitying or lamenting the cruelties of fate. But it is noticeable.
Now, intellectually, I have nothing against couplehood. The human tendency to form pairs and travel within these pairs has many benefits. It makes every gathering inherently more crowded, because twice as many people are there, thus making conversation easier and more varied, particularly when you feel the urge to move from one conversing group to another. It allows for humorous paired costumes at Halloween. It means you only have to e-mail one person instead of two, and you can just assume that both people will hear about it. It often can halve the amount of Christmas presents you have to buy, as one gift for a couple is inherently less expensive than two gifts for two individual autonomous people. More often than not, it provides a designated driver, should the need arise. I'm told the added companionship is pleasant. And there are other benefits, I suppose.
But still, the odd man syndrome, while beneficial in that it often provides a spare chair at any dining establishment (useful for storing coats, bags, and the occasional parcel), has more than its share of drawbacks. It's very difficult, for example, to carry three drinks at a time, making collective ordering at a bar somewhat problematic. Five people make a car too crowded; three means one person is alone in the back seat. And good luck finding seating arrangements for seven at all but the largest tables at any decent dining establishment. Little things, one might say. Petty trifles, another might scornfully dismiss. But God is in the details, or so I've heard it said. And who are we to question the will of God?
So this had led me to my current resolution for the year of 2008. Rather than simply sitting back and passively accepting the situation, this year I'm going to be much more proactive. I'm going to address this issue head on, and put forth my efforts to remedy the issue of the odd numbering. The solution seems quite obvious, does it not?
Break up my coupled friends.
This seems by far the most effective and obvious way of ending the current status quo. It caters to my inherent love of strategy and mind games. It'll give me something to do instead of work on my dissertation. And it just sounds like fun. Therefore, I'm beginning an intricately laid web of lies and deceit focused solely on splitting up any and all romantic engagements amongst my friends. This is not done out of malice towards them or the institution of couplehood per se. Rather, I do it solely for my own well-being. Some might call this selfish on my part. Others, ghastly and inhumane.
I prefer to think of it as heroic.
So welcome 2008, and the fun and exciting new possibilities it brings.
While attending the Annual Modern Language Association Convention in glorious old Chicago, it occurred to me that I know a lot of people who are coupled together. When dining, it was quite often the three of us, or the five of us, and I realized that a large majority of the people I now associate with and consider my friends tend to come in pairs. Similarly, back in St. Louis, my associates generally consist of my friends and their wives. At my New Year's party, it was the same: people and their partners. Wherever I go, I tend to travel in packs of odd-numbered people, largely because I make up that added extra.
This isn't necessarily a problem, of course. I like all my friends, as well as their partners, and would conceivably be friends with either or both regardless of their coupled status. I've gotten very good at not feeling like a third or fifth or seventh wheel. I like to think that my inherent charm and panache overcome the oddity of the numbering. So please don't feel I'm self-pitying or lamenting the cruelties of fate. But it is noticeable.
Now, intellectually, I have nothing against couplehood. The human tendency to form pairs and travel within these pairs has many benefits. It makes every gathering inherently more crowded, because twice as many people are there, thus making conversation easier and more varied, particularly when you feel the urge to move from one conversing group to another. It allows for humorous paired costumes at Halloween. It means you only have to e-mail one person instead of two, and you can just assume that both people will hear about it. It often can halve the amount of Christmas presents you have to buy, as one gift for a couple is inherently less expensive than two gifts for two individual autonomous people. More often than not, it provides a designated driver, should the need arise. I'm told the added companionship is pleasant. And there are other benefits, I suppose.
But still, the odd man syndrome, while beneficial in that it often provides a spare chair at any dining establishment (useful for storing coats, bags, and the occasional parcel), has more than its share of drawbacks. It's very difficult, for example, to carry three drinks at a time, making collective ordering at a bar somewhat problematic. Five people make a car too crowded; three means one person is alone in the back seat. And good luck finding seating arrangements for seven at all but the largest tables at any decent dining establishment. Little things, one might say. Petty trifles, another might scornfully dismiss. But God is in the details, or so I've heard it said. And who are we to question the will of God?
So this had led me to my current resolution for the year of 2008. Rather than simply sitting back and passively accepting the situation, this year I'm going to be much more proactive. I'm going to address this issue head on, and put forth my efforts to remedy the issue of the odd numbering. The solution seems quite obvious, does it not?
Break up my coupled friends.
This seems by far the most effective and obvious way of ending the current status quo. It caters to my inherent love of strategy and mind games. It'll give me something to do instead of work on my dissertation. And it just sounds like fun. Therefore, I'm beginning an intricately laid web of lies and deceit focused solely on splitting up any and all romantic engagements amongst my friends. This is not done out of malice towards them or the institution of couplehood per se. Rather, I do it solely for my own well-being. Some might call this selfish on my part. Others, ghastly and inhumane.
I prefer to think of it as heroic.
So welcome 2008, and the fun and exciting new possibilities it brings.
Tuesday, December 25, 2007
Peace on Earth, Good Will To Men
Today is born, in the city of David, a Savior. 'Tis Christ the Lord.
I know it's true because Linus told me so.
Christmas Eve is always my favorite day of the year. I believe I've posted about this in the past, but a brief recap: my folks go crazy with food and drink, my brother and his girlfriend come over for dinner, drinks, presents, and general merrymaking, and we all have a fabulous time. It really is, in my opinion, the best day of the entire year for our family.
This year, we feasted ($80 beef tenderloin and various side dishes and sauces), we wassailed, and made merry ourselves in the spirit of the season. It was an altogether exemplary holiday.
Though it does make things quite interesting when you go to midnight mass and your biggest concern is whether or not the priest is going to screw up because you know that a few hours earlier he was over at your house and you made him several very strong drinks. (My uncle our priest, and he dines with us every year.)
(Sappiness to follow. Blame the Crown Royal and the Hendrick's.)
I've had a myriad of alcoholic indulgences this evening, so I won't prolong this blog. But to all of you readers out there, I wish you a very Merry Christmas. To my friends and colleagues (hopefully one and the same), I am eternally grateful for your presence in my life, and I shall hold you close with a thankful heart. May your holiday be blessed, the end of the year be safe and fulfilling, and may your year to come be new and exciting, bringing expected blessings and unexpected joys. You all enrich my life in ways I can't begin to quantify. I won't belabor the point, but please know that you are all very dear to me.
In the words of Garfield's Christmas Special:
There, I said it. Now get out of here.
(More cynical and ironic blogs to come after MLA, I promise.)
I know it's true because Linus told me so.
Christmas Eve is always my favorite day of the year. I believe I've posted about this in the past, but a brief recap: my folks go crazy with food and drink, my brother and his girlfriend come over for dinner, drinks, presents, and general merrymaking, and we all have a fabulous time. It really is, in my opinion, the best day of the entire year for our family.
This year, we feasted ($80 beef tenderloin and various side dishes and sauces), we wassailed, and made merry ourselves in the spirit of the season. It was an altogether exemplary holiday.
Though it does make things quite interesting when you go to midnight mass and your biggest concern is whether or not the priest is going to screw up because you know that a few hours earlier he was over at your house and you made him several very strong drinks. (My uncle our priest, and he dines with us every year.)
(Sappiness to follow. Blame the Crown Royal and the Hendrick's.)
I've had a myriad of alcoholic indulgences this evening, so I won't prolong this blog. But to all of you readers out there, I wish you a very Merry Christmas. To my friends and colleagues (hopefully one and the same), I am eternally grateful for your presence in my life, and I shall hold you close with a thankful heart. May your holiday be blessed, the end of the year be safe and fulfilling, and may your year to come be new and exciting, bringing expected blessings and unexpected joys. You all enrich my life in ways I can't begin to quantify. I won't belabor the point, but please know that you are all very dear to me.
In the words of Garfield's Christmas Special:
There, I said it. Now get out of here.
(More cynical and ironic blogs to come after MLA, I promise.)
Tuesday, December 18, 2007
And So the Semester Comes to a Close
Batman is gone for the holidays. You know what that means, folks.
Crime is about to massively decrease in his hometown, whilst the good people of Madison must fend for themselves.
Of course, that leaves our Batcave entirely open for my whims. Nothing but coked out hookers and illegal arms dealings to Azerbaijan. Cause that's how I roll.
Or, my life could be a lot lamer, and I could be watching movies with the volume up high and planning to clean the place. Tonight's fare was the annual watching of Love Actually to continue my holiday film fest, which began with Elf, which I had never seen, and will continue with Scrooged, Christmas Vacation (never seen it), and The Ref (a yet unmentioned holiday hilarity), before I head home and watch more movies with the folks. Yup, I'm living the high life.
Yesterday, after breaking even in a five hour poker extravaganza (a Christmas miracle!), came home and started another movie at midnight, just because I didn't have a Writing Center shift today, for the first time since the start of the semester. Yay! Also yay for Waitress, which is a quality film that only increased my desire to kill Nathan Fillion and assume his identity. This will necessarily involve some kind of voodoo ritual in which I absorb his talent and appearance. And once that's accomplished, I begin my real goal: the promotion and development of Serenity 2: Revenge of the Reavers.
Last Thursday my students had their exam. Since I still had discussion session the following day, I made it entirely optional for extra credit, and basically had a Festivus-inspired "Airing of Grievances." (I contemplated a "Feats of Strength" section, but I have several football players in my classes, most of whom might bear a grudge for the grades I've been giving them.) My first section handled this well, offering insight into what worked and what didn't, etc. My second section, Festivus bless them, basically devolved into the "We Hate Spousal Hire and We Love Dubs Club." In the span of about 20 minutes, they launched a multi-tiered attack on SH's lectures, proving that they are capable of an insightful critique that their papers sorely lacked. In this time, they basically validated everything I've been blogging about this semester.
Which was AWESOME.
I'm not gonna lie. I managed to play it off as very neutral (or so I think), and tried to constantly turn the talk to specific things that work in lectures and things that don't, so I could learn to be a good lecturer myself one day. But it was fun to hear their young minds assailing the inanities of the semester that we all had collectively suffered through. Fun and gratifying. Very, very gratifying.
Beyond that, not a lot going on. Department non-denominational holiday party was last Friday. Got drunk, hung out with a bunch of MAs afterward and tried desperately not to feel old and sketchy. Had unflattering pictures taken of me (not that kind, pervert), further proving my age-old adage that the Dubs does not photograph well. Of course, the multiple glasses of wine and numerous rum and cokes, combined with no dinner, helped a bit as well.
Grading exams now, and I'm apparently being far too easy. Or our exam was far too easy. I suspect the latter. Though I'm somewhat disgruntled that I'm giving out so many ABs. Damn my students and their excellent participation.
All that's left before my holiday departure is my grading (will finish tomorrow) and my Christmas shopping. Hilariously, this will involve me going to a liquor store on the other side of town and picking up $250 worth of beer that my brother ordered online. Then I get to drive it all home. What a time to be alive.
So if you're around and looking for hijinks, give me a shout. And if you're still working, good luck with that. Otherwise, probably won't blog until my Christmas blog, which should hit the blogodrome right around the Eve.
Safe travels all those leaving their respective towns, and happy holidays!
Crime is about to massively decrease in his hometown, whilst the good people of Madison must fend for themselves.
Of course, that leaves our Batcave entirely open for my whims. Nothing but coked out hookers and illegal arms dealings to Azerbaijan. Cause that's how I roll.
Or, my life could be a lot lamer, and I could be watching movies with the volume up high and planning to clean the place. Tonight's fare was the annual watching of Love Actually to continue my holiday film fest, which began with Elf, which I had never seen, and will continue with Scrooged, Christmas Vacation (never seen it), and The Ref (a yet unmentioned holiday hilarity), before I head home and watch more movies with the folks. Yup, I'm living the high life.
Yesterday, after breaking even in a five hour poker extravaganza (a Christmas miracle!), came home and started another movie at midnight, just because I didn't have a Writing Center shift today, for the first time since the start of the semester. Yay! Also yay for Waitress, which is a quality film that only increased my desire to kill Nathan Fillion and assume his identity. This will necessarily involve some kind of voodoo ritual in which I absorb his talent and appearance. And once that's accomplished, I begin my real goal: the promotion and development of Serenity 2: Revenge of the Reavers.
Last Thursday my students had their exam. Since I still had discussion session the following day, I made it entirely optional for extra credit, and basically had a Festivus-inspired "Airing of Grievances." (I contemplated a "Feats of Strength" section, but I have several football players in my classes, most of whom might bear a grudge for the grades I've been giving them.) My first section handled this well, offering insight into what worked and what didn't, etc. My second section, Festivus bless them, basically devolved into the "We Hate Spousal Hire and We Love Dubs Club." In the span of about 20 minutes, they launched a multi-tiered attack on SH's lectures, proving that they are capable of an insightful critique that their papers sorely lacked. In this time, they basically validated everything I've been blogging about this semester.
Which was AWESOME.
I'm not gonna lie. I managed to play it off as very neutral (or so I think), and tried to constantly turn the talk to specific things that work in lectures and things that don't, so I could learn to be a good lecturer myself one day. But it was fun to hear their young minds assailing the inanities of the semester that we all had collectively suffered through. Fun and gratifying. Very, very gratifying.
Beyond that, not a lot going on. Department non-denominational holiday party was last Friday. Got drunk, hung out with a bunch of MAs afterward and tried desperately not to feel old and sketchy. Had unflattering pictures taken of me (not that kind, pervert), further proving my age-old adage that the Dubs does not photograph well. Of course, the multiple glasses of wine and numerous rum and cokes, combined with no dinner, helped a bit as well.
Grading exams now, and I'm apparently being far too easy. Or our exam was far too easy. I suspect the latter. Though I'm somewhat disgruntled that I'm giving out so many ABs. Damn my students and their excellent participation.
All that's left before my holiday departure is my grading (will finish tomorrow) and my Christmas shopping. Hilariously, this will involve me going to a liquor store on the other side of town and picking up $250 worth of beer that my brother ordered online. Then I get to drive it all home. What a time to be alive.
So if you're around and looking for hijinks, give me a shout. And if you're still working, good luck with that. Otherwise, probably won't blog until my Christmas blog, which should hit the blogodrome right around the Eve.
Safe travels all those leaving their respective towns, and happy holidays!
Tuesday, December 11, 2007
Battle for Our Approval!
First, a random observation. Those who have been with this blog since the get go will remember that one of my key methods of determining the elite from the slobs is the correct pronunciation of Pago Pago. Today at the Writing Center, I felt even more appreciation for my intellectual breeding. Because you know you're better than others when you can correctly pronounce words like "hegemonic," "apartheid," "Borges," "Proust," and "nuclear." You just feel better about yourself and your worth as a person in relation to the worth of other people.
This is also a great feeling when you realize you feel that way about your relationship to your lecturer, who spent the entire class restating the same things you yourself said in your guest lecture the week before. To quote another WC colleague, "Wow, I'm so much better than you."
Speaking of, I gave a guest lecture last Thursday (my fourth here at UW). As my topic dealt with art and politics (specifically classical music), I managed to open with a clip of a famous conductor playing Beethoven for Hitler's birthday, and I spent the last ten minutes of the lecture with Brahms' 2nd Symphony (2nd Movement) playing underneath me. Every so often, I would stop and conduct. According to one of my fellow TAs, the key moment was when I stopped mid-lecture, told the class to "Wait for it...", and then conducted the giant upsurge of the strings (around the 2:20 mark if you know the movement). Yes, I was kind of a media whore. And yes, I was showing off. But these poor kids have suffered so much this semester that I felt it was in order.
Ok, on to the main topic of this post. Recently, one of the MA students told me that, without the grueling agony of the MA test, there was confusion as to how the rest of the graduate student population would judge their new peers as equals. Without the rigors of testing, how would we know that these newcomers (infidels in the halls of our ivory tower, if you will) were up to snuff?
To be fair, anyone seeing how hard these folk are working themselves with end of the semester papers should inherently know that they're worthy of attention and grudging respect (or that they have no lives and work far too hard). But this hesitation has been echoed by many a newcomer that I've talked with, so I feel we as a collective must explore options for inducting the new generation into our elite brand of snobbery. As such, I have comprised a list of possible methods.
1. Deathmatch: We pit the MAs against each other in a three day Battle Royale. The survivors receive a Masters and pass on to the next stage of the program.
2. Random selection: A committee of PhD students (or Council of Elders, if you will) randomly chooses whom we wish to advance and whom we wish to shun. We would offer no logic or reasoning for these choices. This would cull their spirits and make them constantly curry favor.
3. Prison-method: We seek out the smartest of the MAs. We then beat the hell out of this person in front of all the others. This will strike an ungodly fear in the hearts of the others, who will always respect our authority and never seek to oust us.
4. The Quest: At the start of the year, every MA is assigned a mentor. To conclude the MA year, the Mentor shall assign an epic quest for the mentee to complete. Successful return leads to a degree. (Quests could range from "Bring me a soda" to "Here's half of a medallion. Somewhere in the world is a man with the other half. He shall lead the way to the treasure of the Incas. Find me this treasure.")
5. The MA Test (Alcoholic Form): Each MA will be plied with questions fundamental to the understanding of the literary arts. For every correct answer, you do a shot. For every incorrect answer, you do two shots. Those who both pass the test and avoid a hospital stay will receive the degree. This method also helps build the alcohol tolerance crucial to the continued pursuit of a PhD.
6. The "Shovel My Drive" Test: It snows a lot. Sure would be nice if someone shoveled my drive.
7. The Out-Write Test: Candidates are placed in front of a computer. Given a prompt, they must proceed to write more pages than me in an hour's time.
8. The Kobayashi Maru Test: A test to be determined which is impossible to pass without cheating. Measures ingenuity, and lets us laugh at people who keep "trying" to win. Bonus points for anyone who breaks down and yells "Khaaaaaaannnnnn!" as the test concludes.
Other suggestions? Something that might incorporate racing bears on the frozen surface of Lake Mendota? Skydiving off of Helen C.? Other thoughts?
And as a last note, every dissertator should be friends with several MA students. You never realize just how good you have it until you don't have to frantically write four seminar papers. (Good luck, you paper writers out there!)
This is also a great feeling when you realize you feel that way about your relationship to your lecturer, who spent the entire class restating the same things you yourself said in your guest lecture the week before. To quote another WC colleague, "Wow, I'm so much better than you."
Speaking of, I gave a guest lecture last Thursday (my fourth here at UW). As my topic dealt with art and politics (specifically classical music), I managed to open with a clip of a famous conductor playing Beethoven for Hitler's birthday, and I spent the last ten minutes of the lecture with Brahms' 2nd Symphony (2nd Movement) playing underneath me. Every so often, I would stop and conduct. According to one of my fellow TAs, the key moment was when I stopped mid-lecture, told the class to "Wait for it...", and then conducted the giant upsurge of the strings (around the 2:20 mark if you know the movement). Yes, I was kind of a media whore. And yes, I was showing off. But these poor kids have suffered so much this semester that I felt it was in order.
Ok, on to the main topic of this post. Recently, one of the MA students told me that, without the grueling agony of the MA test, there was confusion as to how the rest of the graduate student population would judge their new peers as equals. Without the rigors of testing, how would we know that these newcomers (infidels in the halls of our ivory tower, if you will) were up to snuff?
To be fair, anyone seeing how hard these folk are working themselves with end of the semester papers should inherently know that they're worthy of attention and grudging respect (or that they have no lives and work far too hard). But this hesitation has been echoed by many a newcomer that I've talked with, so I feel we as a collective must explore options for inducting the new generation into our elite brand of snobbery. As such, I have comprised a list of possible methods.
1. Deathmatch: We pit the MAs against each other in a three day Battle Royale. The survivors receive a Masters and pass on to the next stage of the program.
2. Random selection: A committee of PhD students (or Council of Elders, if you will) randomly chooses whom we wish to advance and whom we wish to shun. We would offer no logic or reasoning for these choices. This would cull their spirits and make them constantly curry favor.
3. Prison-method: We seek out the smartest of the MAs. We then beat the hell out of this person in front of all the others. This will strike an ungodly fear in the hearts of the others, who will always respect our authority and never seek to oust us.
4. The Quest: At the start of the year, every MA is assigned a mentor. To conclude the MA year, the Mentor shall assign an epic quest for the mentee to complete. Successful return leads to a degree. (Quests could range from "Bring me a soda" to "Here's half of a medallion. Somewhere in the world is a man with the other half. He shall lead the way to the treasure of the Incas. Find me this treasure.")
5. The MA Test (Alcoholic Form): Each MA will be plied with questions fundamental to the understanding of the literary arts. For every correct answer, you do a shot. For every incorrect answer, you do two shots. Those who both pass the test and avoid a hospital stay will receive the degree. This method also helps build the alcohol tolerance crucial to the continued pursuit of a PhD.
6. The "Shovel My Drive" Test: It snows a lot. Sure would be nice if someone shoveled my drive.
7. The Out-Write Test: Candidates are placed in front of a computer. Given a prompt, they must proceed to write more pages than me in an hour's time.
8. The Kobayashi Maru Test: A test to be determined which is impossible to pass without cheating. Measures ingenuity, and lets us laugh at people who keep "trying" to win. Bonus points for anyone who breaks down and yells "Khaaaaaaannnnnn!" as the test concludes.
Other suggestions? Something that might incorporate racing bears on the frozen surface of Lake Mendota? Skydiving off of Helen C.? Other thoughts?
And as a last note, every dissertator should be friends with several MA students. You never realize just how good you have it until you don't have to frantically write four seminar papers. (Good luck, you paper writers out there!)
Sunday, December 02, 2007
Ninja Drunk
Ninja Drunk: To wit, the onset of a sudden and unexpected drunkenness that assails you stealthily despite any intentions of sobriety. Named for the practitioners of the arts of unseen assassination, the condition known as "Ninja Drunk" strikes without warning, leaving the victim horribly scarred and badly damaged, often before any real consciousness of the drunkening arrives. Most cases result in a period of PTHD, or Post-Traumatic Hangover Disorder, that leaves the victim incapable of performing basic functions for a long period of time following the catastrophe.
So last night, I got Ninja Drunk. Not sure how it happened, as I really (by my standards) didn't drink all that much. To be fair, I really hadn't eaten a lot of food that day, and I was fairly tired after seven hours at the coffee shop grading and reading and watching the snow fall. But still, the immediate switch from sobriety to insane drunkenness was shocking, particularly since my awareness jumps from about 10:30 Saturday night to 8:00 Sunday morning, when I awoke on top of my covers, still wearing my clothes and glasses. I've basically spent the rest of the day trying to come to terms with my near assassination by evil Ninja Bourbon (perhaps the dark counterpart to the Bourbon Samurai).
Using this as an excuse, then, I offer you a post I've been pondering for some time. The Top Five Drunken Experiences of Dubs. Note, these are not necessarily the drunkest experiences of my career. They're simply the most memorable (or not, given the amount consumed), the ones that come to mind when I ponder the really great drunken times of my life. These are presented in no particular order, and I make no judgments on those who choose to drink or not drink. Think of this as a way to kill a lot of time when you should be writing a seminar paper or doing work.
1. Housewarming at the Wudan.
Or, as I consider it, "The Harry Potter Night." I've told this story too many times; therefore I won't rehash it again. If you're one of the very few who hasn't heard it, ask me sometime when I've had a drink or two. It's quite the tale. And it even forced my fellow band of reprobates to include a new rule into the Drinking Tournament Code that we later drafted.
2. New Year's Eve, 2002-2003.
New Year's in Chicago. One of the greatest cities in the world, at our disposal, and of course we choose to have an apartment party and get trashed there. We started drinking at around 7:00, and we didn't let up until everyone was hammered and gone. Memi decided it'd be swell to mix all the alcohols she liked into one uber-alcohol, which tasted like the underside of a bus on a snowy day. I think it actually started to curdle. Bluesman and J.D. decided to polish off a bottle of 18 year old Scotch (Glenmorangie, I believe). I believe I was drinking bourbon, probably Booker's or Knob Creek. We had a fair amount of people there (McJew might remember who else came, as he was definitely there for the bulk of the evening and left around 6 a.m. to catch the El back to Evanston), and we were all pretty much gone by around 10:00 or so. Epic way to close out the year we graduated college. Spent the next day so hungover that we couldn't move. (Well, the men at least. The women went out dancing or some such tomfoolery, while the men stayed at home, watched The Time Machine, Deuce Bigalow, and then played Mystery Mansion. All without ever leaving the futon, or even folding it back into couch position.)
3. The 40s Party
Also known as the great showdown between the East Side and the West Side gangs of Madison grad students. East Siders wore green, West Siders wore yellow I believe. East Siders were clearly the dominant group, and upheld the pride and dignity of our side of town. That night, I was challenged to a drink-off of a second 40, having already pounded one by myself (though to be fair, these were 40s of beer, not malt liquor, which might very well have killed us). Because I'm stupid, I agreed. To my shame, I lost this challenge. But win or lose, we're all winners when we drink more. This was also the night I stumbled in the bathroom and tore down Winter's shower curtain (which I tried to fix and ended up damaging even more). I believe this night I also attempted to attack some skateboarders on the way home.
4. My 26th Birthday
This one holds a great place in my heart, though I don't remember all that much of it. We were all out at a bar, and everyone kept buying me drinks. Apparently, my decision to drink mostly beer as a means of staying in the race longer meant that everyone would instead buy me shots. I was actually managing to hang in there, until the then head of the graduate English program, The Absent-Minded Professor (who was at the bar with another group), bought me a very large glass of bourbon. I have no memories after this, but that alone gives the night a huge ratings boost. Apparently after that, we went to a cigar bar. This is confirmed by the fact that I woke up and my clothes reeked of smoke and my mouth felt like an ashtray.
5. Dubsgiving
I consider all of Dubsgiving one drunken experience, and I'd hate to have to choose between "The Night of the Five Beer Boats" and "Let's Go to a Bar Night 2: Return of the Revenge of the Blood." I've chronicled the full details here and here, so take a look if you haven't read them already. They're long, and will waste a lot of time you could be writing seminar papers.
Runners Up
-The Night of the Cherry Flavored Whiskey (chronicled here by Bourbon Samurai)
-The Othello cast party (the night of the animal crackers)
-DrunkCataz
-The Measure for Measure party (where I remained drunk until about 3 p.m. the following day, despite having friends over for an afternoon gathering).
-Really any time we went to the Wudan.
I'm sure there are others, but I was probably too drunk to remember them.
(Readers are now invited to offer their own stories of inebriation, so I don't feel like the only drunk in the blogodrome. New Yorkers especially, I'm looking at you. Largely because none of you blog anymore.)
So last night, I got Ninja Drunk. Not sure how it happened, as I really (by my standards) didn't drink all that much. To be fair, I really hadn't eaten a lot of food that day, and I was fairly tired after seven hours at the coffee shop grading and reading and watching the snow fall. But still, the immediate switch from sobriety to insane drunkenness was shocking, particularly since my awareness jumps from about 10:30 Saturday night to 8:00 Sunday morning, when I awoke on top of my covers, still wearing my clothes and glasses. I've basically spent the rest of the day trying to come to terms with my near assassination by evil Ninja Bourbon (perhaps the dark counterpart to the Bourbon Samurai).
Using this as an excuse, then, I offer you a post I've been pondering for some time. The Top Five Drunken Experiences of Dubs. Note, these are not necessarily the drunkest experiences of my career. They're simply the most memorable (or not, given the amount consumed), the ones that come to mind when I ponder the really great drunken times of my life. These are presented in no particular order, and I make no judgments on those who choose to drink or not drink. Think of this as a way to kill a lot of time when you should be writing a seminar paper or doing work.
1. Housewarming at the Wudan.
Or, as I consider it, "The Harry Potter Night." I've told this story too many times; therefore I won't rehash it again. If you're one of the very few who hasn't heard it, ask me sometime when I've had a drink or two. It's quite the tale. And it even forced my fellow band of reprobates to include a new rule into the Drinking Tournament Code that we later drafted.
2. New Year's Eve, 2002-2003.
New Year's in Chicago. One of the greatest cities in the world, at our disposal, and of course we choose to have an apartment party and get trashed there. We started drinking at around 7:00, and we didn't let up until everyone was hammered and gone. Memi decided it'd be swell to mix all the alcohols she liked into one uber-alcohol, which tasted like the underside of a bus on a snowy day. I think it actually started to curdle. Bluesman and J.D. decided to polish off a bottle of 18 year old Scotch (Glenmorangie, I believe). I believe I was drinking bourbon, probably Booker's or Knob Creek. We had a fair amount of people there (McJew might remember who else came, as he was definitely there for the bulk of the evening and left around 6 a.m. to catch the El back to Evanston), and we were all pretty much gone by around 10:00 or so. Epic way to close out the year we graduated college. Spent the next day so hungover that we couldn't move. (Well, the men at least. The women went out dancing or some such tomfoolery, while the men stayed at home, watched The Time Machine, Deuce Bigalow, and then played Mystery Mansion. All without ever leaving the futon, or even folding it back into couch position.)
3. The 40s Party
Also known as the great showdown between the East Side and the West Side gangs of Madison grad students. East Siders wore green, West Siders wore yellow I believe. East Siders were clearly the dominant group, and upheld the pride and dignity of our side of town. That night, I was challenged to a drink-off of a second 40, having already pounded one by myself (though to be fair, these were 40s of beer, not malt liquor, which might very well have killed us). Because I'm stupid, I agreed. To my shame, I lost this challenge. But win or lose, we're all winners when we drink more. This was also the night I stumbled in the bathroom and tore down Winter's shower curtain (which I tried to fix and ended up damaging even more). I believe this night I also attempted to attack some skateboarders on the way home.
4. My 26th Birthday
This one holds a great place in my heart, though I don't remember all that much of it. We were all out at a bar, and everyone kept buying me drinks. Apparently, my decision to drink mostly beer as a means of staying in the race longer meant that everyone would instead buy me shots. I was actually managing to hang in there, until the then head of the graduate English program, The Absent-Minded Professor (who was at the bar with another group), bought me a very large glass of bourbon. I have no memories after this, but that alone gives the night a huge ratings boost. Apparently after that, we went to a cigar bar. This is confirmed by the fact that I woke up and my clothes reeked of smoke and my mouth felt like an ashtray.
5. Dubsgiving
I consider all of Dubsgiving one drunken experience, and I'd hate to have to choose between "The Night of the Five Beer Boats" and "Let's Go to a Bar Night 2: Return of the Revenge of the Blood." I've chronicled the full details here and here, so take a look if you haven't read them already. They're long, and will waste a lot of time you could be writing seminar papers.
Runners Up
-The Night of the Cherry Flavored Whiskey (chronicled here by Bourbon Samurai)
-The Othello cast party (the night of the animal crackers)
-DrunkCataz
-The Measure for Measure party (where I remained drunk until about 3 p.m. the following day, despite having friends over for an afternoon gathering).
-Really any time we went to the Wudan.
I'm sure there are others, but I was probably too drunk to remember them.
(Readers are now invited to offer their own stories of inebriation, so I don't feel like the only drunk in the blogodrome. New Yorkers especially, I'm looking at you. Largely because none of you blog anymore.)
Tuesday, November 27, 2007
Holiday Ramblings
My love of the holiday season is well-documented (see here and here for last year's treatises on the subject of Christmas). So I won't go into things at length again, lest I grow repetitive. I'll only point out that, in fine Dubs' family tradition, our Christmas tree was appropriately removed from its natural habitat and put to far better use in our living room, where it will glitter and gleam and slowly die for our holiday cheer. (Those of you with facebook can see the latest conquest of nature in my profile picture. No, this is not in Madison. Sadly.)
Over the course of past week, I learned several things, which I shall enumerate in no particular order.
1. I am a 13 year old girl. As proven by my great enjoyment of the movie Enchanted, which is just so danged earnest that it avoids being sickly sweet.
2. You know how they say that if you've just lost weight, it's easier to put it right back on? That's true. Damned delicious stuffing.
3. Pine tree sap doesn't wash out of anything easily.
4. It's really weird to go back to places you frequented as a child. I discovered this when I entered my old parish church for the first time in about eight years, and immediately felt like I was back in sixth grade.
5. New coats are fun.
6. I apparently don't age. Or, if I do, then I'm retrogressing. I was told I still look 18 by my cousins, and the man in the grocery store nearly didn't give me a free sample of wine, despite the fact that my gray-haired father was right next to me. For further proof, see the aforementioned Christmas Tree / Facebook profile picture, where I look like I'm frakkin' twelve.
7. New episodes or movies of Battlestar make me want to say "frak" more often. So far, I have resisted this urge in public. But BSG: Razor was pretty cool.
8. "Pushing Daisies" + Pee Wee Herman = Awesome.
Nothing much else to add. But for a diversion, I'm throwing the floor open again to Christmas songs worth listening to. I have an extensive list from last year (see above), but here are a few that I either just discovered or neglected previously. (Through the miracles of our age, videos provided for your enjoyment. Per usual, watch the videos at your own risk. I just pick 'em for the songs.)
-"Snoopy's Christmas" I love this song. No real logic behind it, other than it's Snoopy.
-"Donna and Blitzen" by Badly Drawn Boy. Last year, T. made me a CD of some truly excellent Christmas songs. I think this one is my favorite, despite it's unclear connection to Christmas itself, or really any logical progression in the lyrics. The music itself overcomes all that. (Sadly, no video.)
-"River" by Joni Mitchell. Largely known for her ability to teach cold English housewives how to feel, she also gave a great Christmas song that I had never really heard before late last year.
-"Song for a Winter's Night" by Sarah McLachlan. Not technically a Christmas song, but still a winter song. Beware the video for egregious fangirl King Arthur clips.
-"Spotlight on Christmas" by Rufus Wainwright. Another from the T. collection. Contains the wonderful description of Jesus, Mary, and Joseph: "And they were each one quite odd / A mensch, a virgin, and a God." Again, no good video.
-"Maybe This Christmas" by Ron Sexsmith. Third and last I'll mention from the T. collection. Peppy little tune, apparently used on "The O.C." (hence the video, and though I've never actually seen "The O.C.", I hear good things about this Chrismukkah thing).
And that's it for me. What are your suggestions? New songs that need to be explored? Old favorites that need to be rediscovered? Anything else Christmas-related? 'Tis the season, and I'm a sucker for it.
Over the course of past week, I learned several things, which I shall enumerate in no particular order.
1. I am a 13 year old girl. As proven by my great enjoyment of the movie Enchanted, which is just so danged earnest that it avoids being sickly sweet.
2. You know how they say that if you've just lost weight, it's easier to put it right back on? That's true. Damned delicious stuffing.
3. Pine tree sap doesn't wash out of anything easily.
4. It's really weird to go back to places you frequented as a child. I discovered this when I entered my old parish church for the first time in about eight years, and immediately felt like I was back in sixth grade.
5. New coats are fun.
6. I apparently don't age. Or, if I do, then I'm retrogressing. I was told I still look 18 by my cousins, and the man in the grocery store nearly didn't give me a free sample of wine, despite the fact that my gray-haired father was right next to me. For further proof, see the aforementioned Christmas Tree / Facebook profile picture, where I look like I'm frakkin' twelve.
7. New episodes or movies of Battlestar make me want to say "frak" more often. So far, I have resisted this urge in public. But BSG: Razor was pretty cool.
8. "Pushing Daisies" + Pee Wee Herman = Awesome.
Nothing much else to add. But for a diversion, I'm throwing the floor open again to Christmas songs worth listening to. I have an extensive list from last year (see above), but here are a few that I either just discovered or neglected previously. (Through the miracles of our age, videos provided for your enjoyment. Per usual, watch the videos at your own risk. I just pick 'em for the songs.)
-"Snoopy's Christmas" I love this song. No real logic behind it, other than it's Snoopy.
-"Donna and Blitzen" by Badly Drawn Boy. Last year, T. made me a CD of some truly excellent Christmas songs. I think this one is my favorite, despite it's unclear connection to Christmas itself, or really any logical progression in the lyrics. The music itself overcomes all that. (Sadly, no video.)
-"River" by Joni Mitchell. Largely known for her ability to teach cold English housewives how to feel, she also gave a great Christmas song that I had never really heard before late last year.
-"Song for a Winter's Night" by Sarah McLachlan. Not technically a Christmas song, but still a winter song. Beware the video for egregious fangirl King Arthur clips.
-"Spotlight on Christmas" by Rufus Wainwright. Another from the T. collection. Contains the wonderful description of Jesus, Mary, and Joseph: "And they were each one quite odd / A mensch, a virgin, and a God." Again, no good video.
-"Maybe This Christmas" by Ron Sexsmith. Third and last I'll mention from the T. collection. Peppy little tune, apparently used on "The O.C." (hence the video, and though I've never actually seen "The O.C.", I hear good things about this Chrismukkah thing).
And that's it for me. What are your suggestions? New songs that need to be explored? Old favorites that need to be rediscovered? Anything else Christmas-related? 'Tis the season, and I'm a sucker for it.
Sunday, November 18, 2007
We've Got Boston, South America, the Good Part of Ireland, and We're Makin' Serious Inroads in Mozambique, Baby!
Listen Jack, I'm a Catholic, which means I'm a cheat and a liar.
No, wait.
That's something else.
I'm a Catholic, which means I'm a sexist and I like to subjugate indigenous peoples.
There, that's more like it.
Back where I come from, St. Louis, there were basically two options as far as my small suburban world was conceived. You were either a Catholic, or you went to public school (what my mother would refer to dismissively as "dumb school" [you can basically understand my entire personality if you consider the fact that the greatest danger of my young life was going to school with stupid people]). I went to a Catholic grade school, and a Catholic high school. And though there was a time in college in which I and Holy Mother Church parted ways (due to my laziness rather than any profound ideological schism), I today continue to go to church every Sunday. Not out of habit, but out of belief.
Plus, as the oldest of the Christian sects (I wouldn't hesitate to use the word "truest"), it also appeals to my sense of snobbery. Many's the joke I've had at the expense of my Protestant friends (who I've affectionately referred to as "the damned" on myriad occasions). But largely, my knowledge of the Protestant world comes from what I hear on the streets or read in books. Before college, my world was very insular; I had met Protestants, at one point or another, but never actively associated with them. And I knew that "Jews" existed somewhere, but I never actually met one until college (the closest I came was when a Jewish film festival nearly kept my father and me from seeing Crimson Tide together).
I bring this up because my Catholicism has been brought home to me in several ways these past few days. (Well, two. But that's enough for a blog post, don't you think?) First, recently over the course of an evening of alcohol and alcohol-related festivities, I was grilled rather earnestly by one of the opposing team, who seemed completely incredulous at my professed belief in the HRCC (that's Holy Roman Catholic Church for you noobs out there). A serious amount of alcohol was involved, so the conversation was already a bit skewed, but I believe at one point I had to counter the claim that Catholics prayed to nuns. (As if nuns were saints, I imagine. Anyone who ever met the knuckle-slapping nuns at my grade school would know that was not the case. Well, except for the Flying Nun. She had superpowers.)
I do not bring this instance up to mock or show offense taken on my part, as the conversation was mainly highly literate and intellectually intriguing (or as well as can be after several drinks). Not to mention a lot of fun. Instead, I merely bring it up as an example of the great disparity between some of our fellow Christian faiths and Holy Mother Church. And as an excuse to blog. Because I always need those.
Oh, and the other instance that brought my faith home? Tonight, at mass, someone had put gum on the pew I chose to sit in. And now I have gum all over my sweater. Thanks, God, for looking out for your faithful. (Seriously, who even brings gum to church, let alone sticks it on the part of the pew people lean their backs against?)
And so, as a Sunday meditation, a list of reasons why Catholicism is superior to every other religion ever:
-Nobody says ceremony like a Catholic. If you try, we immediately play the Latin trump card.
-Catholic history is much cooler than other histories. Great Schism, Pope and Anti-Pope, etc. Seriously. Anti-Pope. Whereas the nearest Protestant equivalent is just one more group of splitters.
-The Popish Plot. I don't know what it is, but I know the British were afraid of it for the better part of three centuries. I think it meant the pope was going to blow up Parliament.
-In case of vampire attack or demonic possession, my Church is prepared to seriously whoop some undead ass. You just keep telling yourself that faith alone will save you. Now, faith combined with a giant jug of holy water and a priest consecrating the actual body and blood of Christ? Bring on them vamps and demons! Cause a Catholic priest is the Batman of the undead battlefield.
-As addendum to the last point, all the secret rites and rituals for dealing with vampires and demons that you know the Church still has secreted away somewhere. Bust out the Latin, bust some undead heads back to Hell.
-That priest in Dead Alive. "I kick ass for the lord!" Even though he bites it in the end, he does it in style.
-Jesuits. Like the Popish plot, the Jesuits instilled fear and terror in the hearts of Protestants everywhere. You never knew where the Jesuits were going to strike next. Maybe as part of a Popish Plot.
-The Flying Nun.
-That little dude who does the chant at the start of Easter Vigil mass every year. I love that guy.
-The Popemobile. Not to mention the Pope's Awesome Giant Hat.
-Saints: The Action Heroes of the Dark Ages.
-The Monty Python Spanish Inquisition sketch.
That's enough for now, I think. I'd say that my irreverant attitude will get me condemned to Hell, but then, I'm Catholic. Absolution, baby.
In conclusion, two videos for your perusal. The first, our ass-kicking, zombie fighting priest:
The second, a very moving and stirring song about self-acceptance in this harsh modern world. (Author's note: I only steal the YouTube clip for the music. I advise you not to watch the movie itself. Indeed, you'd be better served closing your eyes, or opening another window, lest you inadvertantly watch part of this video. Don't encourage people to set their photos to music, or they'll start to breed.)
(Seriously. Hit play then look away.)
(Ok, I warned you.)
No, wait.
That's something else.
I'm a Catholic, which means I'm a sexist and I like to subjugate indigenous peoples.
There, that's more like it.
Back where I come from, St. Louis, there were basically two options as far as my small suburban world was conceived. You were either a Catholic, or you went to public school (what my mother would refer to dismissively as "dumb school" [you can basically understand my entire personality if you consider the fact that the greatest danger of my young life was going to school with stupid people]). I went to a Catholic grade school, and a Catholic high school. And though there was a time in college in which I and Holy Mother Church parted ways (due to my laziness rather than any profound ideological schism), I today continue to go to church every Sunday. Not out of habit, but out of belief.
Plus, as the oldest of the Christian sects (I wouldn't hesitate to use the word "truest"), it also appeals to my sense of snobbery. Many's the joke I've had at the expense of my Protestant friends (who I've affectionately referred to as "the damned" on myriad occasions). But largely, my knowledge of the Protestant world comes from what I hear on the streets or read in books. Before college, my world was very insular; I had met Protestants, at one point or another, but never actively associated with them. And I knew that "Jews" existed somewhere, but I never actually met one until college (the closest I came was when a Jewish film festival nearly kept my father and me from seeing Crimson Tide together).
I bring this up because my Catholicism has been brought home to me in several ways these past few days. (Well, two. But that's enough for a blog post, don't you think?) First, recently over the course of an evening of alcohol and alcohol-related festivities, I was grilled rather earnestly by one of the opposing team, who seemed completely incredulous at my professed belief in the HRCC (that's Holy Roman Catholic Church for you noobs out there). A serious amount of alcohol was involved, so the conversation was already a bit skewed, but I believe at one point I had to counter the claim that Catholics prayed to nuns. (As if nuns were saints, I imagine. Anyone who ever met the knuckle-slapping nuns at my grade school would know that was not the case. Well, except for the Flying Nun. She had superpowers.)
I do not bring this instance up to mock or show offense taken on my part, as the conversation was mainly highly literate and intellectually intriguing (or as well as can be after several drinks). Not to mention a lot of fun. Instead, I merely bring it up as an example of the great disparity between some of our fellow Christian faiths and Holy Mother Church. And as an excuse to blog. Because I always need those.
Oh, and the other instance that brought my faith home? Tonight, at mass, someone had put gum on the pew I chose to sit in. And now I have gum all over my sweater. Thanks, God, for looking out for your faithful. (Seriously, who even brings gum to church, let alone sticks it on the part of the pew people lean their backs against?)
And so, as a Sunday meditation, a list of reasons why Catholicism is superior to every other religion ever:
-Nobody says ceremony like a Catholic. If you try, we immediately play the Latin trump card.
-Catholic history is much cooler than other histories. Great Schism, Pope and Anti-Pope, etc. Seriously. Anti-Pope. Whereas the nearest Protestant equivalent is just one more group of splitters.
-The Popish Plot. I don't know what it is, but I know the British were afraid of it for the better part of three centuries. I think it meant the pope was going to blow up Parliament.
-In case of vampire attack or demonic possession, my Church is prepared to seriously whoop some undead ass. You just keep telling yourself that faith alone will save you. Now, faith combined with a giant jug of holy water and a priest consecrating the actual body and blood of Christ? Bring on them vamps and demons! Cause a Catholic priest is the Batman of the undead battlefield.
-As addendum to the last point, all the secret rites and rituals for dealing with vampires and demons that you know the Church still has secreted away somewhere. Bust out the Latin, bust some undead heads back to Hell.
-That priest in Dead Alive. "I kick ass for the lord!" Even though he bites it in the end, he does it in style.
-Jesuits. Like the Popish plot, the Jesuits instilled fear and terror in the hearts of Protestants everywhere. You never knew where the Jesuits were going to strike next. Maybe as part of a Popish Plot.
-The Flying Nun.
-That little dude who does the chant at the start of Easter Vigil mass every year. I love that guy.
-The Popemobile. Not to mention the Pope's Awesome Giant Hat.
-Saints: The Action Heroes of the Dark Ages.
-The Monty Python Spanish Inquisition sketch.
That's enough for now, I think. I'd say that my irreverant attitude will get me condemned to Hell, but then, I'm Catholic. Absolution, baby.
In conclusion, two videos for your perusal. The first, our ass-kicking, zombie fighting priest:
The second, a very moving and stirring song about self-acceptance in this harsh modern world. (Author's note: I only steal the YouTube clip for the music. I advise you not to watch the movie itself. Indeed, you'd be better served closing your eyes, or opening another window, lest you inadvertantly watch part of this video. Don't encourage people to set their photos to music, or they'll start to breed.)
(Seriously. Hit play then look away.)
(Ok, I warned you.)
Tuesday, November 13, 2007
Please Let Me Die
Ah, nothing like long days of student conferences to really sap the life out of you and make you envy the dead. Often in grad school, you fantasize about being injured, so that you won't have to write that paper or meet that deadline. ("Man, if I got hit by a bus and put in a full body cast, I bet I could get an extension.) But only after meetings with loads upon loads of students do you truly pray for your existence to end.
There's a lesson in there somewhere. Damned if I know what it is.
My students have papers due, so naturally, they all have waited till two days before the paper is due to contact me. So for the past two days, I have been answering about a hundred e-mails, meeting with about 20 of my 34 students, and generally not accomplishing anything else because they keep pestering me and destroying my will to live.
Plus, of course, I've had my Writing Center shifts these past two days, where I get to look at even more student writing. I swear, by the end of tonight, I just want to start setting papers on fire and kicking undergraduates who get in my way. Why can't that be some kind of law? Or a tacit agreement? "I'll look at your paper, if I can kick you on your way out the door." That'd be sweet.
The lows:
1. One student came in and claimed he was nearly done. I then pointed out that he had not a single debatable claim in his entire paper. He has since asked for an extension.
2. Multiple students cannot understand that The Sound and the Fury is a tragedy, and that Caddy is not a figure of hope for the modern woman in escaping the evils of traditional values.
3. Someone is actually writing on McTeague. After I hinted very strongly that I wanted no papers on McTeague, as it sucks.
4. People writing on Malcolm X seem to think it's ok to just tell me about all the different things he did. Or to claim as a thesis that "Malcolm X was a very important figure."
5. Some people can't seem to grasp that when I say "You might want to consider this other viewpoint", what I'm really saying is "Your reading of this text is quite wrong. Please change it before I have to fail you."
The highs:
1. Today, one student seemed to arrive quite unwittingly at the Aristotelian definition of tragedy. Without ever having studied tragedy before. Made my morning. At least until the next student came in.
2. I cleaned parts of my apartment. This was very therapeutic for me, as it did not involve any conscious thought.
3. I think I finally found an intriuging way for a student to write about Caddy Compson without being trite or cliche. I shall now use this idea as the foundation for any teaching I do on The Sound and the Fury in the future.
4. I've been so busy with others' work, I haven't had time to be nervous about my CLC dissertation workshop on Thursday. (That will change tomorrow.)
5. Today, at the Writing Center, someone was writing about a character named Socrates, and he pronounced it So-crates (a la Bill and Ted's Excellent Adventure's So-crates Johnson). I've never read the book he was discussing so for all I know, it actually is pronounced that way in that text. But I still nearly laughed out loud as he read his paper to me. Best part of my entire day.
Now if only I could see papers about Bob Genghis Khan, Dave Beethoven, Maxine of Arc, Herman the Kid, Dennis Frood, and....Abraham Lincoln. Ah, that'd be excellent.
There's a lesson in there somewhere. Damned if I know what it is.
My students have papers due, so naturally, they all have waited till two days before the paper is due to contact me. So for the past two days, I have been answering about a hundred e-mails, meeting with about 20 of my 34 students, and generally not accomplishing anything else because they keep pestering me and destroying my will to live.
Plus, of course, I've had my Writing Center shifts these past two days, where I get to look at even more student writing. I swear, by the end of tonight, I just want to start setting papers on fire and kicking undergraduates who get in my way. Why can't that be some kind of law? Or a tacit agreement? "I'll look at your paper, if I can kick you on your way out the door." That'd be sweet.
The lows:
1. One student came in and claimed he was nearly done. I then pointed out that he had not a single debatable claim in his entire paper. He has since asked for an extension.
2. Multiple students cannot understand that The Sound and the Fury is a tragedy, and that Caddy is not a figure of hope for the modern woman in escaping the evils of traditional values.
3. Someone is actually writing on McTeague. After I hinted very strongly that I wanted no papers on McTeague, as it sucks.
4. People writing on Malcolm X seem to think it's ok to just tell me about all the different things he did. Or to claim as a thesis that "Malcolm X was a very important figure."
5. Some people can't seem to grasp that when I say "You might want to consider this other viewpoint", what I'm really saying is "Your reading of this text is quite wrong. Please change it before I have to fail you."
The highs:
1. Today, one student seemed to arrive quite unwittingly at the Aristotelian definition of tragedy. Without ever having studied tragedy before. Made my morning. At least until the next student came in.
2. I cleaned parts of my apartment. This was very therapeutic for me, as it did not involve any conscious thought.
3. I think I finally found an intriuging way for a student to write about Caddy Compson without being trite or cliche. I shall now use this idea as the foundation for any teaching I do on The Sound and the Fury in the future.
4. I've been so busy with others' work, I haven't had time to be nervous about my CLC dissertation workshop on Thursday. (That will change tomorrow.)
5. Today, at the Writing Center, someone was writing about a character named Socrates, and he pronounced it So-crates (a la Bill and Ted's Excellent Adventure's So-crates Johnson). I've never read the book he was discussing so for all I know, it actually is pronounced that way in that text. But I still nearly laughed out loud as he read his paper to me. Best part of my entire day.
Now if only I could see papers about Bob Genghis Khan, Dave Beethoven, Maxine of Arc, Herman the Kid, Dennis Frood, and....Abraham Lincoln. Ah, that'd be excellent.
Friday, November 09, 2007
Because Undergrads Can't Understand Althusser
I'm not sure which is more disturbing. That:
A. I used The Usual Suspects as a way to start talking about The Autobiography of Malcolm X and ideological state apparatuses today in secton...
OR
B. Only three of my 18 students knew what I was talking about.
I mean, I figured it was a no-brainer. "The greatest trick the devil ever pulled is convincing the world he didn't exist." Malcolm calls us "white devils." And what is ideology but that which we convince ourselves doesn't exist? Sadly, my brilliant foray into the realm of pop culture is about six years too old. I mean, I remember when you couldn't go a week in college without seeing Usual Suspects somewhere, usually in someone's dorm room starting around 2am. So once again, my students made me feel old.
In a fit of spite, I spoiled the twist ending for them. I think Malcolm would have approved.
A. I used The Usual Suspects as a way to start talking about The Autobiography of Malcolm X and ideological state apparatuses today in secton...
OR
B. Only three of my 18 students knew what I was talking about.
I mean, I figured it was a no-brainer. "The greatest trick the devil ever pulled is convincing the world he didn't exist." Malcolm calls us "white devils." And what is ideology but that which we convince ourselves doesn't exist? Sadly, my brilliant foray into the realm of pop culture is about six years too old. I mean, I remember when you couldn't go a week in college without seeing Usual Suspects somewhere, usually in someone's dorm room starting around 2am. So once again, my students made me feel old.
In a fit of spite, I spoiled the twist ending for them. I think Malcolm would have approved.
Wednesday, November 07, 2007
Don't Let the Sun Go Down on Me
Because then I might freeze to death.
Batman and I, in a fit of pride, have yet to turn on the heat in our freezing apartment. We have to pay for it, you see, and gas prices tend to skyrocket in the winter here. As we are poor (or at least I am, and all of Batman's funds are clearly going into his crime-fighting apparati and the facade of his playboy existence), we choose to save money by slowly freezing into corpsicles.
Of course, I did just watch a wonderfully fun movie that seemed to offer a lifestyle not entirely incompatible with this level of cold. Granted, it was set in California, but this movie advocated that constant night activity, a casual disdain of the ways of the world, and a willingness to break the "rules" and "social norms" can lead to a fulfilling life amidst the chaos of the world. The name of this movie, if you haven't yet guessed, is The Lost Boys.
Yes, in between my Netflix shipments of "Freaks and Geeks" (which is excellent, by the way), I've been getting horror movies to celebrate Halloween (even a bit belatedly). I had never seen Lost Boys before, and I heard it was quite the celebration of all things '80s. Well folks, this is quite true. Vampires with mullets, and Kiefer Sutherland as a Billy Idol-esque punk biker vampire. And, apparently, vampires aren't that bad. Sure, they may kill the occasional fat boardwalk security guard, and they may generally cause a disturbance, but before they were provoked, whom did they viciously mutilate? Beach thugs! Listening to Run DMC! Clearly drunk, and possibly on drugs! These vampires aren't evil, they're just hardworking, decent, Reaganite Americans.
As I'm sure every child of the '80s but me has already seen this movie, I won't take the time to unpack it further or mention many of its obvious absurdities. Ok, two more. First, why did the vampire dying in the bathtub cause all the pipes, sinks, toilets, etc. to start spraying blood? Physics seems to imply that that degree of force would have exploded outward (i.e. out the top of the tub) rather than generating a massive, water-main disruptive shockwave that not only exploded the pipes but managed to change all the water to blood (I won't even touch the metaphysical implications of that one). Second, the theme song? Children singing the ten commandments? Used at multiple points throughout the film, and linked with a bodacious hair-metal power ballad? Awesome. It was hilarious camp, and it's making me seriously contemplate turning to the undead side of life. If nothing else, I'll no longer feel the cold. (For further justification, see 30 Days of Night.)
(Again, sorry for lack of interesting posts. Since TGD switched CLC spots with me for next week, I've been frantically revising my dissertation chapter to make it suitable for presentation. On the plus side, I now have 31 pages of my dissertation written.)
Batman and I, in a fit of pride, have yet to turn on the heat in our freezing apartment. We have to pay for it, you see, and gas prices tend to skyrocket in the winter here. As we are poor (or at least I am, and all of Batman's funds are clearly going into his crime-fighting apparati and the facade of his playboy existence), we choose to save money by slowly freezing into corpsicles.
Of course, I did just watch a wonderfully fun movie that seemed to offer a lifestyle not entirely incompatible with this level of cold. Granted, it was set in California, but this movie advocated that constant night activity, a casual disdain of the ways of the world, and a willingness to break the "rules" and "social norms" can lead to a fulfilling life amidst the chaos of the world. The name of this movie, if you haven't yet guessed, is The Lost Boys.
Yes, in between my Netflix shipments of "Freaks and Geeks" (which is excellent, by the way), I've been getting horror movies to celebrate Halloween (even a bit belatedly). I had never seen Lost Boys before, and I heard it was quite the celebration of all things '80s. Well folks, this is quite true. Vampires with mullets, and Kiefer Sutherland as a Billy Idol-esque punk biker vampire. And, apparently, vampires aren't that bad. Sure, they may kill the occasional fat boardwalk security guard, and they may generally cause a disturbance, but before they were provoked, whom did they viciously mutilate? Beach thugs! Listening to Run DMC! Clearly drunk, and possibly on drugs! These vampires aren't evil, they're just hardworking, decent, Reaganite Americans.
As I'm sure every child of the '80s but me has already seen this movie, I won't take the time to unpack it further or mention many of its obvious absurdities. Ok, two more. First, why did the vampire dying in the bathtub cause all the pipes, sinks, toilets, etc. to start spraying blood? Physics seems to imply that that degree of force would have exploded outward (i.e. out the top of the tub) rather than generating a massive, water-main disruptive shockwave that not only exploded the pipes but managed to change all the water to blood (I won't even touch the metaphysical implications of that one). Second, the theme song? Children singing the ten commandments? Used at multiple points throughout the film, and linked with a bodacious hair-metal power ballad? Awesome. It was hilarious camp, and it's making me seriously contemplate turning to the undead side of life. If nothing else, I'll no longer feel the cold. (For further justification, see 30 Days of Night.)
(Again, sorry for lack of interesting posts. Since TGD switched CLC spots with me for next week, I've been frantically revising my dissertation chapter to make it suitable for presentation. On the plus side, I now have 31 pages of my dissertation written.)
Thursday, November 01, 2007
Overheard in Madison Today
Girl on cell: "We should totally do it, because we never got our bellybuttons pierced."
There are days when walking down the streets of Madison can be quite fun. I believe I spent the next ten minutes after overhearing this particular snippit pondering just how many different ways that conversation could have started. Granted, the thing they plan to do is probably something cliche like get a tattoo or another piercing. And yet a part of me wonders about the causal relationship implicit in that statement.
"We should totally do it, because we never got our bellybuttons pierced." (emphasis mine)
What, exactly, would not having a pierced navel allow to come into play? On the one hand, I immediately imagine some bizarre form of liposuction, in which the navel is untied and excess stomach fat is pumped out through the umbilical remnant. Or, perhaps, some kind of surgery to turn an innie into an outie, or vice versa. Or, given the dual nature of the conversation and the emphatic "we," it could imply some procedure to conjoin two people at the navel, where one person's nutrients would be spread out into two bodies (some kind of reverse-engineered pregnancy, where you're eternally pregnant with another living, conscious, similarly-aged person). What the benefits of such a procedure would be, I can only begin to imagine.
Or, we could hope for the dream: Care Bear implants. Some mad scientific process, enacted upon an unpierced abdomen, could possibly lead to both the creation of an intricate Care Bear tattoo and the insertion of ungodly powers into said tattoo. And if that's the case, then sign me up. I'm totally going for the Care Bear with the shamrock on his stomach.
(Sorry folks, been a while since I blogged, but I got nothing new to report. Got drunk at the Halloween party, graded exams, wrote more dissertation, watched more tv. "Pushing Daisies" still rocks, "Chuck" seems to be getting better, "Heroes" is still lame-ish, though this week was better than most this season. Oh, and on "Smallville" today, Clark Kent just watched a man get gunned down without batting an eye. Granted, he was an evil government agent torturing Supergirl, but still. Way to be the hero, CK. Otherwise, Batman thinks our apartment is haunted, since it's constantly colder inside than it is outside. I don't yet disagree with him.)
There are days when walking down the streets of Madison can be quite fun. I believe I spent the next ten minutes after overhearing this particular snippit pondering just how many different ways that conversation could have started. Granted, the thing they plan to do is probably something cliche like get a tattoo or another piercing. And yet a part of me wonders about the causal relationship implicit in that statement.
"We should totally do it, because we never got our bellybuttons pierced." (emphasis mine)
What, exactly, would not having a pierced navel allow to come into play? On the one hand, I immediately imagine some bizarre form of liposuction, in which the navel is untied and excess stomach fat is pumped out through the umbilical remnant. Or, perhaps, some kind of surgery to turn an innie into an outie, or vice versa. Or, given the dual nature of the conversation and the emphatic "we," it could imply some procedure to conjoin two people at the navel, where one person's nutrients would be spread out into two bodies (some kind of reverse-engineered pregnancy, where you're eternally pregnant with another living, conscious, similarly-aged person). What the benefits of such a procedure would be, I can only begin to imagine.
Or, we could hope for the dream: Care Bear implants. Some mad scientific process, enacted upon an unpierced abdomen, could possibly lead to both the creation of an intricate Care Bear tattoo and the insertion of ungodly powers into said tattoo. And if that's the case, then sign me up. I'm totally going for the Care Bear with the shamrock on his stomach.
(Sorry folks, been a while since I blogged, but I got nothing new to report. Got drunk at the Halloween party, graded exams, wrote more dissertation, watched more tv. "Pushing Daisies" still rocks, "Chuck" seems to be getting better, "Heroes" is still lame-ish, though this week was better than most this season. Oh, and on "Smallville" today, Clark Kent just watched a man get gunned down without batting an eye. Granted, he was an evil government agent torturing Supergirl, but still. Way to be the hero, CK. Otherwise, Batman thinks our apartment is haunted, since it's constantly colder inside than it is outside. I don't yet disagree with him.)
Friday, October 26, 2007
Rejected Halloween Costumes
Finally having decided upon a costume, here are the top rejected ideas I came up with:
1. Groundskeeper Willie
2. One of the Flood
3. Winnie the Pooh (too difficult and costly to assemble)
4. Pillsbury Dough Boy
5. Eric and/or Kevin
6. One of the two singers of "D*** in a Box" (Easy costume to assemble, though. Step one, cut a hole in a box...)
7. The Sea Captain (I hate the sea, and everything in it.)
8. Stephen Colbert
Also, I asked my students what I should go as. Here are some of the choice responses:
-Power Ranger (red)
-Dinosaur
-Kevin Youkilis (a baseball player, apparently)
-A ninja
-Justin Timberlake and K-Fed (combined)
-J.D. from "Scrubs" (oddly enough a costume I considered myself beforehand)
-Underwear model (this one really disturbs me)
-An M&M
-Peter Pan
-Captain Planet (He's our hero. Gonna take pollution down to zero.)
-Team Ramrod, from Supertroopers
-Belle from Beauty and the Beast (apparently this would work because I "have high cheek bones")
-Benjy Compson (something else I considered)
-Shredded Cheese
So there you go. If you're still looking for a costume, feel free to poach from either list.
1. Groundskeeper Willie
2. One of the Flood
3. Winnie the Pooh (too difficult and costly to assemble)
4. Pillsbury Dough Boy
5. Eric and/or Kevin
6. One of the two singers of "D*** in a Box" (Easy costume to assemble, though. Step one, cut a hole in a box...)
7. The Sea Captain (I hate the sea, and everything in it.)
8. Stephen Colbert
Also, I asked my students what I should go as. Here are some of the choice responses:
-Power Ranger (red)
-Dinosaur
-Kevin Youkilis (a baseball player, apparently)
-A ninja
-Justin Timberlake and K-Fed (combined)
-J.D. from "Scrubs" (oddly enough a costume I considered myself beforehand)
-Underwear model (this one really disturbs me)
-An M&M
-Peter Pan
-Captain Planet (He's our hero. Gonna take pollution down to zero.)
-Team Ramrod, from Supertroopers
-Belle from Beauty and the Beast (apparently this would work because I "have high cheek bones")
-Benjy Compson (something else I considered)
-Shredded Cheese
So there you go. If you're still looking for a costume, feel free to poach from either list.
Tuesday, October 23, 2007
An Open Letter
To: Old Woman in Red Car
From: Pedestrian with Open Umbrella
Dear madam,
The State of Wisconsin's Department of Motor Vehicles would like to inform you that the large red octagonal sign posted at the intersection of East Gorham and Carroll Streets is what is commonly referred to as a "Stop Sign." We realize they may not have had these devices back when you acquired your license during the days of the Model T, so we of the DMV would like to clarify. These signs, prolific amongst the many streets and intersections of non-stoplighted America, generally indicate you should bring your vehicle to a full and complete stop at the white line perpendicular to the road.
We would further like to clarify that these signs are particularly worth noting during inclement weather, as we in Madison suffered upon the afternoon of Monday, 22 October, 2007. When the streets are particularly slick from rain, sleet, or snow, it is vitally important that you pay attention to all traffic signs and signals, particularly around heavily-trafficked pedestrian areas.
In short, this means that when you see a "Stop Sign" on a rainy day and there is a pedestrian walking through the intersection already, stop your fucking car. The sign, while liberally interpreted by many drivers, does not mean you can roll through an intersection without even slowing down, you stupid bitch. Nor does it mean you should gesticulate accusingly at said pedestrian, especially when he was deft enough to dodge your ugly-ass vehicle's prominent bumper, thus saving himself from massive reconstructive leg surgery and you from slightly dinging your bumper (not to mention paying for said surgery). Your wild accusatory hand gestures signify only that you can't read a goddamn stop sign, and that you have no business being on the road in the first place, you decrepit old hag.
In the grand and noble spirt of the DMV, we would like to conclude by cursing your very existence and wishing you wreck your car around an innocuous tree or lamp post, thus sparing the world the very real dangers of you operating a powered ton of metal. You filthy whore.
Yours in Christ,
Dubs
From: Pedestrian with Open Umbrella
Dear madam,
The State of Wisconsin's Department of Motor Vehicles would like to inform you that the large red octagonal sign posted at the intersection of East Gorham and Carroll Streets is what is commonly referred to as a "Stop Sign." We realize they may not have had these devices back when you acquired your license during the days of the Model T, so we of the DMV would like to clarify. These signs, prolific amongst the many streets and intersections of non-stoplighted America, generally indicate you should bring your vehicle to a full and complete stop at the white line perpendicular to the road.
We would further like to clarify that these signs are particularly worth noting during inclement weather, as we in Madison suffered upon the afternoon of Monday, 22 October, 2007. When the streets are particularly slick from rain, sleet, or snow, it is vitally important that you pay attention to all traffic signs and signals, particularly around heavily-trafficked pedestrian areas.
In short, this means that when you see a "Stop Sign" on a rainy day and there is a pedestrian walking through the intersection already, stop your fucking car. The sign, while liberally interpreted by many drivers, does not mean you can roll through an intersection without even slowing down, you stupid bitch. Nor does it mean you should gesticulate accusingly at said pedestrian, especially when he was deft enough to dodge your ugly-ass vehicle's prominent bumper, thus saving himself from massive reconstructive leg surgery and you from slightly dinging your bumper (not to mention paying for said surgery). Your wild accusatory hand gestures signify only that you can't read a goddamn stop sign, and that you have no business being on the road in the first place, you decrepit old hag.
In the grand and noble spirt of the DMV, we would like to conclude by cursing your very existence and wishing you wreck your car around an innocuous tree or lamp post, thus sparing the world the very real dangers of you operating a powered ton of metal. You filthy whore.
Yours in Christ,
Dubs
Wednesday, October 17, 2007
Theorizing that One Could Time Travel Within His Own Lifetime...
...Benjy Compson stepped into the Quantum Leap Accelerator, and vanished.
Ok, not really.
But I did compare the non-linearity of Benjy's time in The Sound and the Fury to Dr. Sam Beckett's journey through time last Friday in section. The blank stares of my first section were a cutting reminder of just how little they know about the television of my youth ('88-'92 was not that long ago, folks. Learn your cultural history.). But then my second section massively redeemed itself through the few nods of recognition I saw. Though to be fair, both sections were more familiar with Quantum Leap than with Journeyman, so they all get props.
And, to be even more fair, there was an episode of QL where Sam leapt into the body of a mentally challenged man-child. And another episode where his own internal linearity of time was disrupted due to excessive electroshock therapy in an insane asylum. ($5 says Nittany Lion remembers both of these episodes.) So I think there's a future in my comparison; a new hourlong serial adventure-drama in which Benjy travels through various periods of history, setting right what once went wrong. His only guide on this journey would be Luster, an observer from his own time, who appears in the form of a hologram that only Benjy can see and hear, who taunts him repeatedly by whispering "Caddy Caddy Caddy" before giving him a jimson weed, and laughing uproariously as Benjy starts to cry in front of a bunch of strangers. During sweeps, he could try to save his brother Quentin, and end up leaping into the body of Shreve.
I think I'm on to something here. Time to call the networks. Does Compson Leap do anything for anyone?
Not much else to report at this point. Finished grading (yay!), went to my five year reunion (good friends! free food! Settlers of Catan! Northwestern wins in double overtime! Superbad!), been working ever since I got back. Oh, and Pushing Daisies continues to rock. Last week had Kristen Chenoweth singing "Hopelessly Devoted to You" in sheer moment of whee!-ness, and this week had pirate metaphors (which were apt) and a swashbuckling swordfight straight out of an Errol Flynn movie in a funeral home against an angry Asian man who spoke with a southern accent and was a Civil War re-enactor (including an excellent curtain-rip descent and the best justification for swordsmanship prowess ever: "I wanted to be a jedi!"). Seriously, if you're not watching this show yet, check it out.
At least until my Compson Leap pilot hits next fall.
Ok, not really.
But I did compare the non-linearity of Benjy's time in The Sound and the Fury to Dr. Sam Beckett's journey through time last Friday in section. The blank stares of my first section were a cutting reminder of just how little they know about the television of my youth ('88-'92 was not that long ago, folks. Learn your cultural history.). But then my second section massively redeemed itself through the few nods of recognition I saw. Though to be fair, both sections were more familiar with Quantum Leap than with Journeyman, so they all get props.
And, to be even more fair, there was an episode of QL where Sam leapt into the body of a mentally challenged man-child. And another episode where his own internal linearity of time was disrupted due to excessive electroshock therapy in an insane asylum. ($5 says Nittany Lion remembers both of these episodes.) So I think there's a future in my comparison; a new hourlong serial adventure-drama in which Benjy travels through various periods of history, setting right what once went wrong. His only guide on this journey would be Luster, an observer from his own time, who appears in the form of a hologram that only Benjy can see and hear, who taunts him repeatedly by whispering "Caddy Caddy Caddy" before giving him a jimson weed, and laughing uproariously as Benjy starts to cry in front of a bunch of strangers. During sweeps, he could try to save his brother Quentin, and end up leaping into the body of Shreve.
I think I'm on to something here. Time to call the networks. Does Compson Leap do anything for anyone?
Not much else to report at this point. Finished grading (yay!), went to my five year reunion (good friends! free food! Settlers of Catan! Northwestern wins in double overtime! Superbad!), been working ever since I got back. Oh, and Pushing Daisies continues to rock. Last week had Kristen Chenoweth singing "Hopelessly Devoted to You" in sheer moment of whee!-ness, and this week had pirate metaphors (which were apt) and a swashbuckling swordfight straight out of an Errol Flynn movie in a funeral home against an angry Asian man who spoke with a southern accent and was a Civil War re-enactor (including an excellent curtain-rip descent and the best justification for swordsmanship prowess ever: "I wanted to be a jedi!"). Seriously, if you're not watching this show yet, check it out.
At least until my Compson Leap pilot hits next fall.
Wednesday, October 10, 2007
Spousal Hire and the Agony of Being Dubs
And now for another entry in my ever-continuing series "Posts That, If Read by the Wrong People, Could Get Me in Trouble or Possibly Fired."
As I've mentioned before, this semester I'm teaching for someone I'm calling Spousal Hire. At first, it was just an amusing bastardization of academia, something to while away the time while I did my own work, a kind of "Don't Let This Happen to You" guide for educators.
Now, however, my heart is full of hatred; gone is all kindness and charity from my mind, and my soul knows no pity except for the deterioration of my own brain cells. Twice a week, my mind is filled with error, inanity, and the ever-mounting horror that my students might actually think this is what an English class should look like. And I am torn, torn by conflicting emotions. Half of me wants to throw down my books in disgust and storm out of the lecture hall. The other half of me just wants to smash SH's face in. With a brick. Or, barring that, a jagged rock. But preferably a brick.
Back at the beginning of the semester, I handed out a guide to close reading for my students. Looking it over the night before, I realized I had to edit out the first sentence. That sentence? "As we have been practicing in lecture and discussion, the way we are accessing the texts in this class is through the practice of close-reading." Because, dear reader, it simply wasn't true. In fact, looking back, I'm fairly certain that we've never modeled close reading in lecture. Discussion, sure, but not lecture. You see, there are two typical SH lecture models:
Model One: The Intro Model
This model is appropriate for introducing a new text, or a new artistic movement. It will largely involve 40 minutes of historical context (often wrong or inappropriate), vague generalizations about artistic and aesthetic movements (sometimes wrong), and the examination of various pieces of visual artwork that may or may not actually apply to the historical period we are introducing. With the last ten minutes, we will discuss biographical information about the author, and maybe introduce one or two key topics that we will never actually explore.
Model Two: The Continuation Model
This model applies to every non-intro lecture. Here, we will offer generalizations about the text, often of an intellectual rigor akin to Sparknotes. These will very rarely ever be in the form of an arguable point; instead, they will be blanket statements and observations that might serve as the intriguing foundations of argument, if they were to be explored further. And, in the rare occasions that these are interesting claims, they will never be matched with evidence from the text to make these points clear. To be sure, SH does bring in the text quite often. Most of the time, this involves the reading of large chunks of text at once, or the quick hopping from quote to quote, rarely in service of any kind of point. Also included in this model are further historical digressions, repetition of previous historical or aesthetic discussions, and other aesthetic concepts that, while true and important, are seldom connected to the text in any meaningful way. Almost as if trying to prove that SH did indeed go to grad school and can talk the talk with the rest of us.
At first I found this rather charming. Then came last Thursday, when be began our discussion of Shmigh Shmodernism (I am altering the terms slightly so my students won't find these by googling them in order to learn what the heck we've been talking about). For this class, the students were assigned some of the most difficult Schmodernist poetry, including "The Schlove Schong of J. Schalfred Shprufshok," "The Shwaste Shland," four poems by Shrobert Schrost, two poems by Shamy Showell, two poems by Schwallace Shtevens, three Schedward Shrobinson poems, and four sh. sh. shcummings poems. All of that, in one day. One day. I'll say it again, because it infuriates me so. One day. I wouldn't wish that on my worst foe.
And what did we do in that one day? Well, see Model One. And how much time did we spend on any of the poetry itself? Six minutes.
Six minutes. Six mind-boggling, biography-filled, sparknotes-quoting minutes to understand perhaps the singlemost famous and one of the most complex poems of the 20th century. Which, of course, led me to playing massive triage in section, trying desperately to teach the WL to my uncomprehending students. I often lament the limits of the time we have to teach in section, but then I rationalize it by saying the important things are what we cover in lecture. But now, I feel like they aren't getting anything but my sections. And since I actually care that my students learn something, I am full of rage at the gross bastardization of their education. Seriously. I leave every class full of rage. And amusement, of course. But mostly rage.
Some things I've learned in lecture so far:
-It's bad to be a professor and leave your cell phone on. It's worse to not turn it off and just let it keep ringing during your lecture.
-You can give three lectures on Naturalism and its importance in American Literature, without ever mentioning Theodore Dreiser.
-The Renaissance was a period from about 1400-1650. This was going on simultaneously in Europe and America.
-The Romance, as an aesthetic literary genre, most often involves the successful marriage of two lovers. It's modern counterpart is the romantic comedy.
-In 1918, Russia and other nations underwent Communist revolutions.
-Fighting these Communists was one of the aims of America in World War I.
-The Immigration Act of 1924 had something to do with Shmigh Shmodernism. As it has so very much to do with the plight of immigrants.
-The American Civil War began in 1862.
-In 1937, the Nazi's invaded Spain during World War II.
-Always spell-check your outline and compare it with the text, lest you repeatedly misspell the name of one of the key characters.
-Don't misquote Macbeth. Particularly when the title of your text comes from that quote. "Signifying nothing", not "meaning nothing."
-It is embarassing when a student stumps you with a question about the plot of the text.
-It is even worse when you misremember a key scene of the novel and misinterpret it in front of the entire lecture.
-It's quite funny when a student interrupts your long and pointless historical digression to ask you a question about the plot.
-It's hilarious for the TA when a student, in office hours, claims that the text is more complicated than the instructor's interpretation of it.
-If you're six weeks into the semester and your TAs still haven't gotten their desk copies, you might want to check into that.
-When scheduling the first paper, it is always a bad thing to offer the student only one choice of texts to write on. It's even worse for the TA, because then he or she has to grade between 37-80 papers on the same text.
-It's even worse when you only offer one possible prompt to write on, thus ensuring 37-80 papers on the same topic.
-It's even worse when this prompt is poorly written and confusing.
-It's even worse when you couple all of these things with a lecture that contains no close reading and no argument, because then your TAs will have to read 37-80 papers on the same topic, the same text, and all with no argument or close reading.
So pray for Dubs, gentle readers. Tomorrow we continue our three-lecture exploration of Shfaulkner's The Schound and the Shury. In lecture one we didn't even open the book. I can't wait to see what happens tomorrow.
As I've mentioned before, this semester I'm teaching for someone I'm calling Spousal Hire. At first, it was just an amusing bastardization of academia, something to while away the time while I did my own work, a kind of "Don't Let This Happen to You" guide for educators.
Now, however, my heart is full of hatred; gone is all kindness and charity from my mind, and my soul knows no pity except for the deterioration of my own brain cells. Twice a week, my mind is filled with error, inanity, and the ever-mounting horror that my students might actually think this is what an English class should look like. And I am torn, torn by conflicting emotions. Half of me wants to throw down my books in disgust and storm out of the lecture hall. The other half of me just wants to smash SH's face in. With a brick. Or, barring that, a jagged rock. But preferably a brick.
Back at the beginning of the semester, I handed out a guide to close reading for my students. Looking it over the night before, I realized I had to edit out the first sentence. That sentence? "As we have been practicing in lecture and discussion, the way we are accessing the texts in this class is through the practice of close-reading." Because, dear reader, it simply wasn't true. In fact, looking back, I'm fairly certain that we've never modeled close reading in lecture. Discussion, sure, but not lecture. You see, there are two typical SH lecture models:
Model One: The Intro Model
This model is appropriate for introducing a new text, or a new artistic movement. It will largely involve 40 minutes of historical context (often wrong or inappropriate), vague generalizations about artistic and aesthetic movements (sometimes wrong), and the examination of various pieces of visual artwork that may or may not actually apply to the historical period we are introducing. With the last ten minutes, we will discuss biographical information about the author, and maybe introduce one or two key topics that we will never actually explore.
Model Two: The Continuation Model
This model applies to every non-intro lecture. Here, we will offer generalizations about the text, often of an intellectual rigor akin to Sparknotes. These will very rarely ever be in the form of an arguable point; instead, they will be blanket statements and observations that might serve as the intriguing foundations of argument, if they were to be explored further. And, in the rare occasions that these are interesting claims, they will never be matched with evidence from the text to make these points clear. To be sure, SH does bring in the text quite often. Most of the time, this involves the reading of large chunks of text at once, or the quick hopping from quote to quote, rarely in service of any kind of point. Also included in this model are further historical digressions, repetition of previous historical or aesthetic discussions, and other aesthetic concepts that, while true and important, are seldom connected to the text in any meaningful way. Almost as if trying to prove that SH did indeed go to grad school and can talk the talk with the rest of us.
At first I found this rather charming. Then came last Thursday, when be began our discussion of Shmigh Shmodernism (I am altering the terms slightly so my students won't find these by googling them in order to learn what the heck we've been talking about). For this class, the students were assigned some of the most difficult Schmodernist poetry, including "The Schlove Schong of J. Schalfred Shprufshok," "The Shwaste Shland," four poems by Shrobert Schrost, two poems by Shamy Showell, two poems by Schwallace Shtevens, three Schedward Shrobinson poems, and four sh. sh. shcummings poems. All of that, in one day. One day. I'll say it again, because it infuriates me so. One day. I wouldn't wish that on my worst foe.
And what did we do in that one day? Well, see Model One. And how much time did we spend on any of the poetry itself? Six minutes.
Six minutes. Six mind-boggling, biography-filled, sparknotes-quoting minutes to understand perhaps the singlemost famous and one of the most complex poems of the 20th century. Which, of course, led me to playing massive triage in section, trying desperately to teach the WL to my uncomprehending students. I often lament the limits of the time we have to teach in section, but then I rationalize it by saying the important things are what we cover in lecture. But now, I feel like they aren't getting anything but my sections. And since I actually care that my students learn something, I am full of rage at the gross bastardization of their education. Seriously. I leave every class full of rage. And amusement, of course. But mostly rage.
Some things I've learned in lecture so far:
-It's bad to be a professor and leave your cell phone on. It's worse to not turn it off and just let it keep ringing during your lecture.
-You can give three lectures on Naturalism and its importance in American Literature, without ever mentioning Theodore Dreiser.
-The Renaissance was a period from about 1400-1650. This was going on simultaneously in Europe and America.
-The Romance, as an aesthetic literary genre, most often involves the successful marriage of two lovers. It's modern counterpart is the romantic comedy.
-In 1918, Russia and other nations underwent Communist revolutions.
-Fighting these Communists was one of the aims of America in World War I.
-The Immigration Act of 1924 had something to do with Shmigh Shmodernism. As it has so very much to do with the plight of immigrants.
-The American Civil War began in 1862.
-In 1937, the Nazi's invaded Spain during World War II.
-Always spell-check your outline and compare it with the text, lest you repeatedly misspell the name of one of the key characters.
-Don't misquote Macbeth. Particularly when the title of your text comes from that quote. "Signifying nothing", not "meaning nothing."
-It is embarassing when a student stumps you with a question about the plot of the text.
-It is even worse when you misremember a key scene of the novel and misinterpret it in front of the entire lecture.
-It's quite funny when a student interrupts your long and pointless historical digression to ask you a question about the plot.
-It's hilarious for the TA when a student, in office hours, claims that the text is more complicated than the instructor's interpretation of it.
-If you're six weeks into the semester and your TAs still haven't gotten their desk copies, you might want to check into that.
-When scheduling the first paper, it is always a bad thing to offer the student only one choice of texts to write on. It's even worse for the TA, because then he or she has to grade between 37-80 papers on the same text.
-It's even worse when you only offer one possible prompt to write on, thus ensuring 37-80 papers on the same topic.
-It's even worse when this prompt is poorly written and confusing.
-It's even worse when you couple all of these things with a lecture that contains no close reading and no argument, because then your TAs will have to read 37-80 papers on the same topic, the same text, and all with no argument or close reading.
So pray for Dubs, gentle readers. Tomorrow we continue our three-lecture exploration of Shfaulkner's The Schound and the Shury. In lecture one we didn't even open the book. I can't wait to see what happens tomorrow.
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